Ramona [98]
strangely strong; she did not tremble; her feet trod firm on the ground. "Oh, miracle!" she thought, as she hastened down the garden-walk; "I am well again! Alessandro is near!" So vivid was the impression, that when she reached the willows and found the spot silent, vacant, as when she had last sat there, hopeless, broken-hearted, she experienced a revulsion of disappointment. "Not here!" she cried; "not here!" and a swift fear shook her. "Am I mad? Is it this way, perhaps, people lose their senses, when they are as I have been!"
But the young, strong blood was running swift in her veins. No! this was no madness; rather a newly discovered power; a fulness of sense; a revelation. Alessandro was near.
Swiftly she walked down the river road. The farther she went, the keener grew her expectation, her sense of Alessandro's nearness. In her present mood she would have walked on and on, even to Temecula itself, sure that she was at each step drawing nearer to Alessandro.
As she approached the second willow copse, which lay perhaps a quarter of a mile west of the first, she saw the figure of a man, standing, leaning against one of the trees. She halted. It could not be Alessandro. He would not have paused for a moment so near the house where he was to find her. She was afraid to go on. It was late to meet a stranger in this lonely spot. The figure was strangely still; so still that, as she peered through the dusk, she half fancied it might be an optical illusion. She advanced a few steps, hesitatingly, then stopped. As she did so, the man advanced a few steps, then stopped. As he came out from the shadows of the trees, she saw that he was of Alessandro's height. She quickened her steps, then suddenly stopped again. What did this mean? It could not be Alessandro. Ramona wrung her hands in agony of suspense. An almost unconquerable instinct urged her forward; but terror held her back. After standing irresolute for some minutes, she turned to walk back to the house, saying, "I must not run the risk of its being a stranger. If it is Alessandro, he will come."
But her feet seemed to refuse to move in the opposite direction. Slower and slower she walked for a few paces, then turned again. The man had returned to his former place, and stood as at first, leaning against the tree.
"It may be a messenger from him," she said; "a messenger who has been told not to come to the house until after dark."
Her mind was made up. She quickened her pace to a run. A few moments more brought her so near that she could see distinctly. It was -- yes, it was Alessandro. He did not see her. His face was turned partially away, his head resting against the tree; he must be ill. Ramona flew, rather than ran. In a moment more, Alessandro had heard the light steps, turned, saw Ramona, and, with a cry, bounded forward, and they were clasped in each other's arms before they had looked in each other's faces. Ramona spoke first. Disengaging herself gently, and looking up, she began: "Alessandro --" But at the first sight of his face she shrieked. Was this Alessandro, this haggard, emaciated, speechless man, who gazed at her with hollow eyes, full of misery, and no joy! "O God," cried Ramona, "You have been ill! you are ill! My God, Alessandro, what is it?"
Alessandro passed his hand slowly over his forehead, as if trying to collect his thoughts before speaking, all the while keeping his eyes fixed on Ramona, with the same anguished look, convulsively holding both her hands in his.
"Senorita," he said, "my Senorita!" Then he stopped. His tongue seemed to refuse him utterance; and this voice,-- this strange, hard, unresonant voice,-- whose voice was it? Not Alessandro's.
"My Senorita," he began again, "I could not go without one sight of your face; but when I was here, I had not courage to go near the house. If you had not come, I should have gone back without seeing you."
Ramona heard these words in fast-deepening terror, What did they mean? Her look seemed to suggest a new thought to Alessandro.
"Heavens, Senorita!" he cried, "have
But the young, strong blood was running swift in her veins. No! this was no madness; rather a newly discovered power; a fulness of sense; a revelation. Alessandro was near.
Swiftly she walked down the river road. The farther she went, the keener grew her expectation, her sense of Alessandro's nearness. In her present mood she would have walked on and on, even to Temecula itself, sure that she was at each step drawing nearer to Alessandro.
As she approached the second willow copse, which lay perhaps a quarter of a mile west of the first, she saw the figure of a man, standing, leaning against one of the trees. She halted. It could not be Alessandro. He would not have paused for a moment so near the house where he was to find her. She was afraid to go on. It was late to meet a stranger in this lonely spot. The figure was strangely still; so still that, as she peered through the dusk, she half fancied it might be an optical illusion. She advanced a few steps, hesitatingly, then stopped. As she did so, the man advanced a few steps, then stopped. As he came out from the shadows of the trees, she saw that he was of Alessandro's height. She quickened her steps, then suddenly stopped again. What did this mean? It could not be Alessandro. Ramona wrung her hands in agony of suspense. An almost unconquerable instinct urged her forward; but terror held her back. After standing irresolute for some minutes, she turned to walk back to the house, saying, "I must not run the risk of its being a stranger. If it is Alessandro, he will come."
But her feet seemed to refuse to move in the opposite direction. Slower and slower she walked for a few paces, then turned again. The man had returned to his former place, and stood as at first, leaning against the tree.
"It may be a messenger from him," she said; "a messenger who has been told not to come to the house until after dark."
Her mind was made up. She quickened her pace to a run. A few moments more brought her so near that she could see distinctly. It was -- yes, it was Alessandro. He did not see her. His face was turned partially away, his head resting against the tree; he must be ill. Ramona flew, rather than ran. In a moment more, Alessandro had heard the light steps, turned, saw Ramona, and, with a cry, bounded forward, and they were clasped in each other's arms before they had looked in each other's faces. Ramona spoke first. Disengaging herself gently, and looking up, she began: "Alessandro --" But at the first sight of his face she shrieked. Was this Alessandro, this haggard, emaciated, speechless man, who gazed at her with hollow eyes, full of misery, and no joy! "O God," cried Ramona, "You have been ill! you are ill! My God, Alessandro, what is it?"
Alessandro passed his hand slowly over his forehead, as if trying to collect his thoughts before speaking, all the while keeping his eyes fixed on Ramona, with the same anguished look, convulsively holding both her hands in his.
"Senorita," he said, "my Senorita!" Then he stopped. His tongue seemed to refuse him utterance; and this voice,-- this strange, hard, unresonant voice,-- whose voice was it? Not Alessandro's.
"My Senorita," he began again, "I could not go without one sight of your face; but when I was here, I had not courage to go near the house. If you had not come, I should have gone back without seeing you."
Ramona heard these words in fast-deepening terror, What did they mean? Her look seemed to suggest a new thought to Alessandro.
"Heavens, Senorita!" he cried, "have