Ready Player One - Ernest Cline [166]
I climbed into the chair and felt it adjust to fit the contours of my body. A robotic arm extended from the chair and slipped a brand-new Oculance visor onto my face. It, too, adjusted so that it fit perfectly. The visor scanned my retinas and the system prompted me to speak my new pass phrase: “Reindeer Flotilla Setec Astronomy.”
I took a deep breath as the system logged me in.
I was ready to rock.
My avatar was buffed to the eyeballs and armed to the teeth. I was packing as many magic items and as much firepower as I could squeeze into my inventory.
Everything was in place. Our plan was in motion. It was time to go.
I entered my stronghold’s hangar and pressed a button on the wall to open the launch doors. They slid back, slowly revealing the launch tunnel leading up to Falco’s surface. I walked to the end of the runway, past my X-wing and the Vonnegut. I wouldn’t be taking either of them today. They were both good ships, with formidable weapons and defenses, but neither craft would offer much protection in the epic shitstorm that was about to unfold on Chthonia. Fortunately, I now had a new mode of transportation.
I removed the twelve-inch Leopardon robot from my avatar’s inventory and set it down gently on the runway. Shortly before I’d been arrested by IOI, I’d taken some time to examine the toy Leopardon robot and ascertain its powers. As I suspected, the robot was actually a powerful magical item. It hadn’t taken me long to figure out the command word required to activate it. Just like in Toei’s original Supaidaman TV series, you summoned the robot simply by shouting its name. I did this now, taking the precaution of backing away from the robot a good distance before shouting “Leopardon!”
I heard a piercing shriek that sounded like rending metal. A second later, the once-tiny robot had grown to a height of almost a hundred meters. The top of the robot’s head now protruded through the open launch doors in the hangar ceiling.
I gazed up at the towering robot, admiring the attention to detail Halliday had put into coding it. Every feature of the original Japanese mech had been re-created, including its giant gleaming sword and spiderweb-embossed shield. A tiny access door was set into the robot’s massive left foot, and it opened as I approached, revealing a small elevator inside. It carried me up through the interior of the robot’s leg and torso, to the cockpit located inside its armored chest. As I seated myself in the captain’s chair, I spotted a silver control bracelet in a clear case on the wall. I took it out and snapped it onto my avatar’s wrist. The bracelet would allow me to use voice commands to control the robot while I was outside it.
Several rows of buttons were set into the command console in front of me, all labeled in Japanese. I pressed one of them and the engines roared to life. Then I hit the throttle and the twin rocket boosters in each of the robot’s feet ignited, launching it upward, out of my stronghold and into Falco’s star-filled sky.
I noticed that Halliday had added an old eight-track tape player to the cockpit control panel. There was also a rack of eight-track tapes mounted over my right shoulder. I grabbed one and slapped it into the deck. Dirty Deeds Done Dirt Cheap by AC/DC began to blast out of the robot’s internal and external speakers, so loud it made my chair vibrate.
As soon as the robot was clear of my hangar, I shouted “Change Marveller!” into the control bracelet (the voice commands appeared to work only if you shouted them). The robot’s legs, arms, and head folded inward and locked into new positions, transforming the robot into a starship known as the Marveller.