Ready Player One - Ernest Cline [43]
My Joust skills were a lot rustier than I thought. I spent the first five minutes just trying to relax and to reacquaint myself with the controls and the rhythm of the game. During this time, Acererak managed to kill me twice, mercilessly slamming his winged mount into mine at the perfect trajectory. He handled the game’s controls with the calculated perfection of a machine. Which, of course, was exactly what he was—cutting-edge NPC artificial intelligence, programmed by Halliday himself.
By the end of our first game, the moves and tricks I’d picked up during all those marathon bouts with Aech were starting to come back to me. But Acererak didn’t need a warm-up. He was in perfect form from the outset, and there was no way I could make up for my weak showing at the start of the game. He killed off my last man before I even cleared 30,000 points. Embarrassing.
“One game down, Parzival,” he said, flashing a rictus grin. “One more to go.”
He didn’t waste time by making me stand there and watch him play out the rest of his game. He reached up and found the power switch at the rear of the game cabinet, then flipped it off and back on. After the screen cycled through its chromatic Williams Electronics boot-up sequence, he snatched two more quarters out of thin air and dropped them into the game.
“Art thou ready?” he inquired again, hunching over the control panel.
I hesitated a moment, then asked, “Actually, would you mind if we switched sides? I’m used to playing on the left.”
It was true. When Aech and I played in the Basement, I always took the ostrich side. Being on the right side during the first game had screwed up my rhythm a bit.
Acererak appeared to consider my request for a moment. Then he nodded. “Certainly,” he said. He stepped back from the cabinet and we switched sides. It suddenly occurred to me just how absurd this scene was: a guy wearing a suit of armor, standing next to an undead king, both hunched over the controls of a classic arcade game. It was the sort of surreal image you’d expect to see on the cover of an old issue of Heavy Metal or Dragon magazine.
Acererak slapped the Two Player button, and my eyes locked on the screen.
The next game started out badly for me too. My opponent’s movements were relentless and precise, and I spent the first few waves just trying to evade him. I was also distracted by the incessant click of his skeletal index finger as he tapped his Flap button.
I unclenched my jaw and cleared my mind, forcing myself not to think about where I was, who I was playing against, or what was at stake. I tried to imagine that I was back in the Basement, playing against Aech.
It worked. I slipped into the zone, and the tide began to turn in my favor. I began to find the flaws in the lich’s playing style, the holes in his programming. This was something I’d learned over the years, mastering hundreds of different videogames. There was always a trick to beating a computer-controlled opponent. At a game like this, a gifted human player could always triumph over the game’s AI, because software couldn’t improvise. It could either react randomly, or in a limited number of predetermined ways, based on a finite number of preprogrammed conditions. This was an axiom in videogames, and would be until humans invented true artificial intelligence.
Our second game came right down to the wire, but by the end of it, I’d spotted a pattern to the lich’s playing technique. By changing my ostrich’s direction at a certain moment, I could get him to slam his stork into one of the oncoming buzzards. By repeating this move, I was able to pick off his extra lives, one by one. I died several times myself in the process, but I finally took him down during the tenth wave, with no extra lives of my own to spare.
I stepped back from the machine and sighed with relief. I could feel rivulets of sweat running down my forehead and