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Red Mars - Kim Stanley Robinson [111]

By Root 1888 0
arms spread wide, the leaves flickering silver and gray under the black bowl of stars; and one of those stars would be steady, faint, red, and he would seek it out and watch it, there among the windswept olive leaves; and he had been eight years old! My God, what were they? Nothing explained that, nothing explained them! As well explain why they had painted in Lascaux, why they had built stone cathedrals into the sky. Why coral polyps built reefs.

He had had an ordinary youth, moved often, lost what friends he made, went to the University of Paris to study psychology, did his degree work on space-station depression and went to work for Ariane, and then Glavkosmos. Along the way got married and divorced: Françoise had said he “was not there.” All those nights with her in Avignon, all those days in Villefranche-sur-Mer, living in the most beautiful place on Earth, and he had walked about in a fog of desire for Mars! It was absurd! Worse, it was stupid. A failure of the imagination, of memory, of, finally, intelligence itself: he had not been able to see what he had had, or to imagine what he would get. And now he was paying for it, trapped on an icefloe in the Arctic night with ninety-nine foreigners, not one of whom spoke French worth a damn. Only three who could even try, and Frank’s French was worse than no French at all, like listening to someone attack the language with a hatchet.

The absence of his mind’s own tongue had driven him to watching TV from home, which only exacerbated his pain. Still he taped video monologues, and sent them to his mother and sister, so that they would send replies in kind; he watched the replies many times, looking more at the backdrops than at his relatives. He even had occasional live conversations with journalists, waiting impatiently between exchanges. Those talks made it clear how famous he was in France, a household name, and he was careful to answer everything conventionally, playing the Michel Duval persona, running the Michel program. Sometimes he canceled consultations with fellow colonists when he was in the mood to listen to French; let them eat English! But these incidents got him a sharp reprimand from Frank, and a conference with Maya. Was he overworked? Of course not; only ninety-nine people to keep sane, while at the same time wandering in a Provence of the mind, on tree-covered steep hillsides with their vineyards and farmhouses and ruined towers and monasteries, in a living landscape, a landscape infinitely more beautiful and humane than the stony waste of this reality—

He was in the TV lounge. While lost in thought he had apparently gone back inside. But he could not remember that; he had thought he was still standing on top of the Great Pyramid; and then he had blinked and was in the TV lounge (all asylums have them), watching a video image of one of the lichen-covered canyon walls of Marineris.

He shivered. It had happened again. He had lost touch, gone away and come to later in the day. It had happened already some dozen times before. And it was not just being lost in thought, but buried in it, dead to the world. He looked around the room, shivered convulsively. It was Ls = 5 now, the beginning of northern spring, and the northern walls of the great canyons were basking in the sun. Since they’re all going to go crazy anyway . . .

Then it was Ls = 157, and 152 degrees had passed in a blur of tele-existence. He was basking in the sun in the courtyard of Françoise’s seaside villa in Villefranche-sur-Mer, looking down on tile rooftops and terra-cotta pillars and a small pool, turquoise above the cobalt of the Mediterranean. A cypress stood like a green flame over the pool, swaying in a breeze and casting its perfume over his face. In the distance the green headland of a peninsula—

Except really he was in Underhill Prime, usually called the trench, or Nadia’s arcade, sitting on the upper balcony looking out at a dwarf sequoia, behind it the glass wall and the mirrors with their gradient refractive index that guided the light down into the concourse from its origin on

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