Red Rabbit - Tom Clancy [287]
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RYAN AROSE EARLY, as usual, had his breakfast, and caught a taxi to St. Peter's. It was good to walk around the square—which was almost entirely round, of course—just to stretch his legs. It seemed odd that here, inside the capital of the Italian Republic, was a titularly sovereign state whose official language was Latin. He wondered if the Caesars would have liked that or not, the last home of their language also being the home of the agency that had brought down their world-spanning empire, but he couldn't go to the Forum to ask whatever ghosts lived there.
The church commanded his attention. There were no words for something that large. The funds to build it had necessitated the indulgence selling that had sparked Martin Luther to post his protest on the cathedral door and so start the Reformation, something the nuns at St. Matthew's had not approved of, but for which the Jesuits of his later life had taken rather a broader view. The Society of Jesus also owed its existence to the Reformation—they'd been founded to fight against it.
That didn't much matter at the moment. The basilica beggared description, and it seemed a fit headquarters for the Roman Catholic Church. He walked in and saw that, if anything, the interior seemed even more vast than the outside. You could play a football game in there. A good hundred yards away was the main altar, reserved for use by the Pope himself, under which was the crypt where former popes were buried, including, tradition had it, Simon Peter himself. "Thou art Peter," Jesus was quoted in the Gospel, "and upon this rock I shall build my church." Well, with the help of some architects and what must have been an army of workers, they'd certainly built a church here. Jack felt drawn into it as though it were God's own personal house. The cathedral in Baltimore would scarcely have been an alcove here. Looking around, he saw the tourists, also staring at the ceiling with open mouths. How had they built this place without structural steel? Jack wondered. It was all stone resting on stone. Those old guys really knew their stuff, Ryan reflected. The sons of those engineers now worked for Boeing or NASA. He spent a total of twenty minutes walking around, then reminded himself that he wasn't, after all, a tourist.
This had once been the site of the original Roman Circus Maximus. The big racetrack for chariots, like those in the movie Ben-Hur, had then been torn down and a church built here, the original St. Peter's, but over time that church had deteriorated, and so a century-plus-long project to build this one had been undertaken and was finished in the sixteenth century, Ryan remembered. He went back outside to survey the area once again. Much as he looked for alternatives, it seemed that his first impression had been the correct one. The Pope got in his car there, drove around that way, and the place of greatest vulnerability was… right about there. The problem was that there was a semicircular space perhaps two hundred yards long.
Okay, he thought, time to do some analysis. The shooter would be a pro. A pro would have two considerations: one, getting a good shot off; and two, getting the hell out of here alive.
So Ryan turned to see potential exit routes. To the left, closest to the facade of the church, people would really pile up there in their desire to get the first look at the Pope as he came out. Farther down, the open vehicle path widened somewhat, increasing the range of the shot—something to be avoided. But the shooter still needed to get his ass out of Dodge City, and the best way to do that was toward the side street where Sharp had parked the day before. You could stash a car there, probably, and if you made it that far, you'd go pedal-to-the-metal and race the hell off to wherever you had a backup car parked—a backup, because the cops would sure as hell be looking for the first one, and Rome had a goodly supply of police officers