well-known American love for cars. He didn't look around any more than a tourist would, and thought that maybe he'd made one tail. There'd probably be more than that for the moment. He was a new embassy employee, and the Russians would want to see if he wiggled like a CIA spook. He decided to act like an innocent American abroad, which might or might not be the same thing to them. It depended on how experienced his current shadow was, and there was no telling that. For certain, he'd have a tail for a couple weeks. That was an expected annoyance. So would Mary Pat. So, probably, would Eddie. The Soviets were a paranoid bunch, but then, he could hardly complain about that, could he? Not hardly. It was his job to crack into the deepest secrets of their country. He was the new Chief of Station, but he was supposed to be a stealthy one. This was one of Bob Ritter's new and more creative ideas. Typically, the identity of the boss spook in an embassy wasn't expected to be a secret. Sooner or later, everyone got burned one way or another, either ID'd by a false-flag operation or through an operational error, and that was like losing one's virginity. Once gone, it never came back. But the Agency only rarely used a husband-wife team in the field, and he'd spent years building his cover. A graduate of New York's Fordham University, Ed Foley had been recruited fairly young, vetted by an FBI background check, and then gone to work for The New York Times as a reporter on a general beat. He'd turned in a few interesting stories, but not too many, and had eventually been told that, while the Times wasn't going to fire him, it might be better for him to seek employment with a smaller newspaper where he might blossom better on his own. He'd taken the hint and gotten a job with the State Department as a Press Attaché, a job that paid a decent bureaucratic wage, though without a supergrade's destiny. His official job at the embassy would be to schmooze the elite foreign correspondents of the great American papers and TV networks, granting them access to the ambassador and other embassy officials, and then keeping out of the way while they filed their important stories.
His most important job was to appear competent, but little more. Already the local Times correspondent was telling his colleagues that Foley hadn't had the right stuff to make it big as a journalist at America's Foremost Newspaper, and since he wasn't old enough to teach yet—the other resting place for incompetent reporters—he was doing the next worst thing, being a government puke. It was his job to foster that arrogance, knowing that the KGB would have its people ping on the American press corps for their evaluation of the embassy personnel. The best cover of all for a spook was to be regarded as dull and dim, because the dull and the dim weren't smart enough to be spies. For that, he thanked Ian Fleming and the movies he'd inspired. James Bond was a clever boy. Not Ed Foley. No, Ed Foley was a functionary. The crazy part was that the Soviets, whose entire country was governed by dull functionaries, more often than not fell for this story just as readily as if they were someone fresh off the pig farm in Iowa.
There is nothing predictable about the espionage business… except here, the Station Chief told himself. The one thing you could depend on with the Russians was predictability. Everything was written down in some huge book, and everybody here played the game by the book.
Foley got aboard the subway car, looking around at his fellow passengers, seeing how they looked at him. His clothing marked him as a foreigner as clearly as a glowing halo marked a saint in a Renaissance painting.
"Who are you?" a neutral voice asked, rather to Foley's surprise.
"Excuse me?" Foley replied in badly accented Russian.
"Ah, you are American."
"Da, that is so. I work at American embassy. My first day. I am new in Moscow." Shadow or not, he knew that the only sensible thing was to play this straight.
"How do you like it here?" the inquisitor asked. He looked like a bureaucrat, maybe