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Redgauntlet [139]

By Root 807 0
the attention of the domestics, through whom the circumstance might transpire. On the next morning, the following lines lay on my table; but how conveyed there, I cannot tell. The hand in which they were written is a beautiful Italian manuscript:--

As lords their labourers' hire delay, Fate quits our toil with hopes to come, Which, if far short of present pay, Still, owns a debt and names a sum.

Quit not the pledge, frail sufferer, then, Although a distant date be given; Despair is treason towards man, And blasphemy to Heaven.

That these lines were written with the friendly purpose of inducing me to keep up my spirits, I cannot doubt; and I trust the manner in which I shall conduct myself may show that the pledge is accepted.

The dress is arrived in which it seems to be my self-elected guardian's pleasure that I shall travel; and what does it prove to be?--A skirt, or upper-petticoat of camlet, like those worn by country ladies of moderate rank when on horseback, with such a riding-mask as they frequently use on journeys to preserve their eyes and complexion from the sun and dust, and sometimes, it is suspected, to enable then to play off a little coquetry. From the gayer mode of employing the mask, however, I suspect I shall be precluded; for instead of being only pasteboard, covered with black velvet, I observe with anxiety that mine is thickened with a plate of steel, which, like Quixote's visor, serves to render it more strong and durable.

This apparatus, together with a steel clasp for securing the mask behind me with a padlock, gave me fearful recollections of the unfortunate being, who, never being permitted to lay aside such a visor, acquired the well-known historical epithet of the Man in the Iron Mask. I hesitated a moment whether I should, so far submit to the acts of oppression designed against me as to assume this disguise, which was, of course, contrived to aid their purposes. But when I remembered Mr. Herries's threat, that I should be kept close prisoner in a carriage, unless I assumed the dress which should be appointed for me; and I considered the comparative degree of freedom which I might purchase by wearing the mask and female dress as easily and advantageously purchased. Here, therefore, I must pause for the present, and await what the morning may bring forth.

[To carry on the story from the documents before us, we think it proper here to drop the journal of the captive Darsie Latimer, and adopt, instead, a narrative of the proceedings of Alan Fairford in pursuit of his friend, which forms another series in this history.]




CHAPTER X

NARRATIVE OF ALAN FAIRFORD

The reader ought, by this time, to have formed some idea of the character of Alan Fairford. He had a warmth of heart which the study of the law and of the world could not chill, and talents which they had rendered unusually acute. Deprived of the personal patronage enjoyed by most of his contemporaries, who assumed the gown under the protection of their aristocratic alliances and descents, he early saw that he should have that to achieve for himself which fell to them as a right of birth. He laboured hard in silence and solitude, and his labours were crowned with success. But Alan doted on his friend Darsie, even more than he loved his profession, and, as we have seen, threw everything aside when he thought Latimer in danger; forgetting fame and fortune, and hazarding even the serious displeasure of his father, to rescue him whom he loved with an elder brother's affection. Darsie, though his parts were more quick and brilliant than those of his friend, seemed always to the latter a being under his peculiar charge, whom he was called upon to cherish and protect in cases where the youth's own experience was unequal to the exigency; and now, when, the fate of Latimer seeming worse than doubtful, Alan's whole prudence and energy were to be exerted in his behalf, an adventure which might have seemed perilous to most youths of his age had no terrors for him. He was well acquainted with the laws
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