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Religio Medici [12]

By Root 439 0
question his power, and conclude he could not. And thus I call the effects of nature the works of God, whose hand and instrument she only is; and therefore, to ascribe his actions unto her is to devolve the honour of the prin- cipal agent upon the instrument; which if with reason we may do, then let our hammers rise up and boast they have built our houses, and our pens receive the honour of our writing. I hold there is a general beauty in the works of God, and therefore no deformity in any kind of species of creature whatsoever. I cannot tell by what logick we call a toad, a bear, or an elephant ugly; they being created in those outward shapes and figures which best express the actions of their inward forms; and having passed that general visitation of God, who saw that all that he had made was good, that is, conformable to his will, which abhors deformity, and is the rule of order and beauty. There is no deformity but in mon- strosity; wherein, notwithstanding, there is a kind of beauty; nature so ingeniously contriving the irregular part, as they become sometimes more remarkable than the principal fabrick. To speak yet more narrowly, there was never any thing ugly or mis-shapen, but the chaos; wherein, notwithstanding, to speak strictly, there was no deformity, because no form; nor was it yet im- pregnant by the voice of God. Now nature is not at variance with art, nor art with nature; they being both the servants of his providence. Art is the perfection of nature. Were the world now as it was the sixth day, there were yet a chaos. Nature hath made one world, and art another. In brief, all things are artificial; for nature is the art of God.

Sect. 17.--This is the ordinary and open way of his providence, which art and industry have in good part discovered; whose effects we may foretell without an oracle. To foreshow these is not prophecy, but prog- nostication. There is another way, full of meanders and labyrinths, whereof the devil and spirits have no exact ephemerides: and that is a more particular and obscure method of his providence; directing the opera- tions of individual and single essences: this we call fortune; that serpentine and crooked line, whereby he draws those actions his wisdom intends in a more un- known and secret way; this cryptic<18> and involved method of his providence have I ever admired; nor can I relate the history of my life, the occurrences of my days, the escapes, or dangers, and hits of chance, with a bezo las manos to Fortune, or a bare gramercy to my good stars. Abraham might have thought the ram in the thicket came thither by accident: human reason would have said that mere chance conveyed Moses in the ark to the sight of Pharaoh's daughter. What a labyrinth is there in the story of Joseph! able to con- vert a stoick. Surely there are in every man's life certain rubs, doublings, and wrenches, which pass a while under the effects of chance; but at the last, well examined, prove the mere hand of God. 'Twas not dumb chance that, to discover the fougade,<19> or powder plot, contrived a miscarriage in the letter. I like the victory of '88<20> the better for that one occurrence which our enemies imputed to our dishonour, and the partiality of fortune; to wit, the tempests and contrariety of winds. King Philip did not detract from the nation, when he said, he sent his armada to fight with men, and not to combat with the winds. Where there is a manifest disproportion between the powers and forces of two several agents, upon a maxim of reason we may promise the victory to the superior: but when unex- pected accidents slip in, and unthought-of occurrences intervene, these must proceed from a power that owes no obedience to those axioms; where, as in the writing upon the wall, we may behold the hand, but see not the spring that moves it. The success of that petty province of Holland (of which the Grand Seignior proudly said, if they should trouble him, as they did the Spaniard, he would send his men with shovels and pickaxes, and throw it into the sea) I cannot
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