Repertory of the Comedie Humaine-1 [60]
COLONNA, aged Italian at Genoa, during the later part of the eighteenth century. He had reared Luigia Porta under the name of Colonna and as his own son, from the age of six until the time when the young man enlisted in the French army. [The Vendetta.]
COLOQUINTE, given name of a pensioner who was "office boy" in Finot's newspaper office in 1820. He had been through the Egyptian campaign, losing an arm at the Battle of Montmirail. [A Bachelor's Establishment. A Distinguished Provincial at Paris.]
COLORAT (Jerome), estate-keeper for Mme. Graslin at Montegnac; born at Limoges. Retired soldier of the Empire; ex-sergeant in the Royal Guard; at one time estate-keeper for M. de Navarreins, before entering Mme. Graslin's service. [The Country Parson.]
CONSTANCE, chambermaid for Mme. de Restaud in 1819. Through her old Goriot knew about everything that was going on at the home of his elder daughter. This Constance, sometimes called Victorie, took money to her mistress when the latter needed it. [Father Goriot.]
CONSTANT DE REBECQUE (Benjamin), born at Lausanne in 1767, died at Paris, December 8, 1830. About the end of 1821 he is discovered in Dauriat's book-shop at Palais-Royal, where Lucien de Rubempre noticed his splendid head and spiritual eyes. [A Distinguished Provincial at Paris.]
CONTI (Gennaro), musical composer; of Neapolitan origin, but born at Marseilles. Lover of Mlle. des Touches--Camille Maupin--in 1821-1822. Afterwards he paid court to Marquise Beatrix de Rochefide. [Lost Illusions. Beatrix.]
CONYNCKS, family of Bruges, who were maternal ancestors of Marguerite Claes. In 1812 this young girl at sixteen was the living image of a Conyncks, her grandmother whose portrait hung in Balthazar Claes' home. A Conyncks, also of Bruges but later established at Cambrai, was granduncle of the children of Balthazar Claes, and was appointed their vice-guardian after the death of Mme. Claes. He had a daughter who married Gabriel Claes. [The Quest of the Absolute.]
COQUELIN (Monsieur and Madame), hardware dealers, successors to Claude-Joseph Pillerault in a store on quai de la Ferraille, sign of the Golden Bell. Guests at the big ball given by Cesar Birotteau. After getting the invitation, Mme. Coquelin ordered a magnificent gown for the occasion. [Cesar Birotteau.]
COQUET, chief of bureau to the Minister of War, in Lebrun's division in 1838. Marneffe was his successor. Coquet had been in the service of the administration since 1809, and had given perfect satisfaction. He was a married man and his wife was still living at the time when he was displaced. [Cousin Betty.]
CORALIE (Mademoiselle), actress at the Panorama-Dramatique and at the Theatre du Gymnase, Paris, time of Louis XVIII. Born in 1803 and brought up a Catholic, she was nevertheless of distinct Jewish type. She died in August, 1822. Her mother sold her at fifteen to young Henri de Marsay, whom she abhorred and who soon deserted her. She was then maintained by Camusot, who was not obnoxious. She fell in love with Lucien de Rubempre at first sight, surrendering to him immediately and being faithful to him until her dying breath. The glory and downfall of Coralie dated from this love. An original criticism of the young Chardon established the success of "L'Alcade dans l'Embarras," at the Marais, and brought to Coralie, one of the principals in the play, an engagement at Boulevard Bonne-Nouvelle, with a salary of twelve thousand francs. But here the artist stranded, the victim of a cabal, despite the protection of Camille Maupin. At first she was housed on rue de Vendome, afterwards in a more modest lodging where she died, attended and nursed by her cousin, Berenice. She had sold her elegant furniture to Cardot, Sr., on leaving the apartment on rue de Vendome, and in order to avoid moving it, he installed Florentine there. Coralie was the rival of Mme. Perrin and of Mlle. Fleuriet, whom she resembled and whose destiny should have been her own. The funeral service of Coralie took place at noon in the little church of Notre-Dame de Bonne-Nouvelle.