Repertory of the Comedie Humaine-2 [38]
the /rouleurs/ in the South. His wife, La Gonore, was a widow in 1830. [Scenes from a Courtesan's Life.]
MOISE, a Troyes musician, whom Madame Beauvisage thought of employing in 1839 as the instructor of her daughter, Cecile, at Arcis-sur-Aube. [The Member for Arcis.]
MOLINEUX (Jean-Baptiste), Parisian landlord, miserly and selfish. Mesdames Crochard lived in one of his houses between rue du Tourniquet-Saint-Jean and rue la Tixeranderie, in 1815. Mesdames Leseigneur de Rouville and Hippolyte Schinner were also his tenants, at about the same time, on rue de Surene. Jean-Baptiste Molineux lived on Cour-Batave during the first part of Louis XVIII.'s reign. He then owned the house next to Cesar Birotteau's shop on rue Saint-Honore. Molineux was one of the many guests present at the famous ball of December 17, 1818, and a few months later was the annoying assignee connected with the perfumer's failure. [A Second Home. The Purse. Cesar Birotteau.]
MOLLOT, through the influence of his wife, Sophie, appointed clerk to the justice of the peace at Arcis-sur-Aube; often visited Madame Marion, and saw at her home Goulard, Beauvisage, Giguet, and Herbelot. [The Member for Arcis.]
MOLLOT (Madame Sophie), wife of the preceding, a prying, prating woman, who disturbed herself greatly over Maxime de Trailles during the electoral campaign in the division of Arcis-sur-Aube, April, 1839. [The Member for Arcis.]
MOLLOT (Earnestine), daughter of the preceding couple, was, in 1839, a young girl of marriageable age. [The Member for Arcis.]
MONGENOD, born in 1764; son of a grand council attorney, who left him an income of five or six thousand. Becoming bankrupt during the Revolution, he became first a clerk with Frederic Alain, under Bordin, the solicitor. He was unsuccessful in several ventures: as a journalist with the "Sentinelle," started or built up by him; as a musical composer with the "Peruviens," an opera-comique given in 1798 at the Feydau theatre.[*] His marriage and the family expenses attendant rendered his financial condition more and more embarrassing. Mongenod had lent money to Frederic Alain, so that he might be present at the opening performance of the "Marriage de Figaro." He borrowed, in turn, from Alain a sum of money which he was unable to return at the time agreed. He set out thereupon for America, made a fortune, returned January, 1816, and reimbursed Alain. From this time dates the opening of the celebrated Parisian banking-house of Mongenod & Co. The firm-name changed to Mongenod & Son, and then to Mongenod Brothers. In 1819 the bankruptcy of the perfumer, Cesar Birotteau, having taken place, Mongenod became personally interested at the Bourse,[+] in the affair, negotiating with merchants and discounters. Mongenod died in 1827. [The Seamy Side of History. Cesar Birotteau.]
[*] The Feydau theatre, with its dependencies on the thoroughfare of the same name, existed in Paris until 1826 on the site now taken by the rue de la Bourse.
[+] The Bourse temporarily occupied a building on rue Feydau, while the present palace was building.
MONGENOD (Madame Charlotte), wife of the preceding, in the year 1798 bore up bravely under her poverty, even selling her hair for twelve francs that her family might have bread. Wealthy, and a widow after 1827, Madame Mongenod remained the chief adviser and support of the bank, operated in Paris on rue de la Victoire, by her two sons, Frederic and Louis. [The Seamy Side of History.]
MONGENOD (Frederic), eldest of the preceding couple's three children, received from his thankful parents the given name of M. Alain and became, after 1827, the head of his father's banking-house on rue de la Victoire. His honesty is shown by the character of his patrons, among whom were the Marquis d'Espard, Charles Mignon de la Bastie, the Baronne de la Chanterie and Godefroid. [The Commission in Lunacy. The Seamy Side of History.]
MONGENOD (Louis), younger brother of the preceding, with whom he had business association on rue de la Victoire, where he was receiving the prudent
MOISE, a Troyes musician, whom Madame Beauvisage thought of employing in 1839 as the instructor of her daughter, Cecile, at Arcis-sur-Aube. [The Member for Arcis.]
MOLINEUX (Jean-Baptiste), Parisian landlord, miserly and selfish. Mesdames Crochard lived in one of his houses between rue du Tourniquet-Saint-Jean and rue la Tixeranderie, in 1815. Mesdames Leseigneur de Rouville and Hippolyte Schinner were also his tenants, at about the same time, on rue de Surene. Jean-Baptiste Molineux lived on Cour-Batave during the first part of Louis XVIII.'s reign. He then owned the house next to Cesar Birotteau's shop on rue Saint-Honore. Molineux was one of the many guests present at the famous ball of December 17, 1818, and a few months later was the annoying assignee connected with the perfumer's failure. [A Second Home. The Purse. Cesar Birotteau.]
MOLLOT, through the influence of his wife, Sophie, appointed clerk to the justice of the peace at Arcis-sur-Aube; often visited Madame Marion, and saw at her home Goulard, Beauvisage, Giguet, and Herbelot. [The Member for Arcis.]
MOLLOT (Madame Sophie), wife of the preceding, a prying, prating woman, who disturbed herself greatly over Maxime de Trailles during the electoral campaign in the division of Arcis-sur-Aube, April, 1839. [The Member for Arcis.]
MOLLOT (Earnestine), daughter of the preceding couple, was, in 1839, a young girl of marriageable age. [The Member for Arcis.]
MONGENOD, born in 1764; son of a grand council attorney, who left him an income of five or six thousand. Becoming bankrupt during the Revolution, he became first a clerk with Frederic Alain, under Bordin, the solicitor. He was unsuccessful in several ventures: as a journalist with the "Sentinelle," started or built up by him; as a musical composer with the "Peruviens," an opera-comique given in 1798 at the Feydau theatre.[*] His marriage and the family expenses attendant rendered his financial condition more and more embarrassing. Mongenod had lent money to Frederic Alain, so that he might be present at the opening performance of the "Marriage de Figaro." He borrowed, in turn, from Alain a sum of money which he was unable to return at the time agreed. He set out thereupon for America, made a fortune, returned January, 1816, and reimbursed Alain. From this time dates the opening of the celebrated Parisian banking-house of Mongenod & Co. The firm-name changed to Mongenod & Son, and then to Mongenod Brothers. In 1819 the bankruptcy of the perfumer, Cesar Birotteau, having taken place, Mongenod became personally interested at the Bourse,[+] in the affair, negotiating with merchants and discounters. Mongenod died in 1827. [The Seamy Side of History. Cesar Birotteau.]
[*] The Feydau theatre, with its dependencies on the thoroughfare of the same name, existed in Paris until 1826 on the site now taken by the rue de la Bourse.
[+] The Bourse temporarily occupied a building on rue Feydau, while the present palace was building.
MONGENOD (Madame Charlotte), wife of the preceding, in the year 1798 bore up bravely under her poverty, even selling her hair for twelve francs that her family might have bread. Wealthy, and a widow after 1827, Madame Mongenod remained the chief adviser and support of the bank, operated in Paris on rue de la Victoire, by her two sons, Frederic and Louis. [The Seamy Side of History.]
MONGENOD (Frederic), eldest of the preceding couple's three children, received from his thankful parents the given name of M. Alain and became, after 1827, the head of his father's banking-house on rue de la Victoire. His honesty is shown by the character of his patrons, among whom were the Marquis d'Espard, Charles Mignon de la Bastie, the Baronne de la Chanterie and Godefroid. [The Commission in Lunacy. The Seamy Side of History.]
MONGENOD (Louis), younger brother of the preceding, with whom he had business association on rue de la Victoire, where he was receiving the prudent