Repertory of the Comedie Humaine-2 [89]
for nine years in perfect happiness. Gaudissart, having become manager of a theatre, employed him in his orchestra, entrusted him with the work of making copies of the music, and employed him to play the piano and various instruments that were not used in the boulevard theatres: the viol d'amore, English horn, violoncello, harp, castanets, bells, saxhorns, etc. Pons made him his residuary legatee (April, 1845); but the innocent German was not strong enough to contend with Maitre Fraisier, agent of the Camusot de Marvilles, who were ignored in this will. In spite of Topinard, to whom, in despair at the death of his friend, he went to demand hospitality, in the Bordin district, Schmucke allowed himself to be swindled, and was soon carried off by apoplexy. [Cousin Pons.]
[*] Perhaps the former lodging place of Napoleon Bonaparte.
SCHONTZ (Madame), name borne by Mademoiselle Schiltz, afterwards Madame Fabien du Ronceret. (See this last name.)
SCHWAB (Wilhelm), born at Strasbourg in the early part of the nineteenth century, of the German family of Kehl, had Frederic (Fritz) Brunner as his friend, whose follies he shared, whose poverty he relieved, and with whom he went to Paris; there they went to the Hotel du Rhin, rue du Mail, kept by Johann Graff, father of Emilie, and brother of the famous tailor, Wolfgang Graff. Schwab kept books for this rival of Humann and Staub. Several years later he played the flute at the theatre at which Sylvain Pons directed the orchestra. During an intermission at the first brilliant performance of "La Fiancee du Diable," presented in the fall of 1844, Schwab invited Pons through Schmucke to his approaching wedding; he married Mademoiselle Emilie Graff--a love-match--and joined in business with Frederic Brunner, who was a banker and enriched by the inheritance of his father's property. [Cousin Pons.]
SCHWAB (Madame Wilhelm), wife of the preceding; born Mademoiselle Emilie Graff; an accomplished beauty, niece of Wolfgang Graff, the wealthy tailor, who provided her with dowry. [Cousin Pons.]
SCIO (Madame), a prominent singer of the Theatre Feydeau in 1798, was very beautiful in "Les Peruviens," a comic opera by Mongenod, produced with very indifferent success. [The Seamy Side of History.]
SCOEVOLA (Mucius). Under this assumed name was concealed, during the Terror, a man who had been huntsman to the Prince de Conti, to whom he owed his fortune. A plasterer, and proprietor of a small house in Paris, on about the highest point of the Faubourg Saint-Martin,[*] near the rue d'Allemagne, he affected an exaggerated civism, which masked an unfailing fidelity to the Bourbons, and he in some mysterious way afforded protection to Sisters Marthe and Agathe (Mesdemoiselles de Beauseant and de Langeais), nuns who had escaped from the Abbey of Chelles, and were, with Abbe de Marolles, taking refuge under his roof. [An Episode under the Terror.]
[*] His parish was the Saint-Laurent church, which for a while during the Revolution had the name of Temple of Fidelity.
SECHARD (Jerome-Nicolas), born in 1743. After having been a workman in a printer's shop of Angouleme situated on the Place du Murier, though very illiterate, he became its owner at the beginning of the Revolution; was acquainted at that time with the Marquis de Maucombe, married a woman that was provided with a certain competency, but soon lost her, after having by her a son, David. In the reign of Louis XVIII., fearing the competition of Cointet, J.-N. Sechard retired from active life, selling his business to his son, whom he intentionally deceived in the trade, and moved to Marsac, near Angouleme, where he raised grapes, and drank to excess. During all the latter part of his life, Sechard mercilessly aggravated the commercial difficulties which his son David was struggling against. The old miser died about 1829, leaving property of some value. [Lost Illusions.]
SECHARD (David), only son of the preceding, school-mate and friend of Lucien de Rubempre, learned the art of printing from the Didots of Paris. On one occasion, upon
[*] Perhaps the former lodging place of Napoleon Bonaparte.
SCHONTZ (Madame), name borne by Mademoiselle Schiltz, afterwards Madame Fabien du Ronceret. (See this last name.)
SCHWAB (Wilhelm), born at Strasbourg in the early part of the nineteenth century, of the German family of Kehl, had Frederic (Fritz) Brunner as his friend, whose follies he shared, whose poverty he relieved, and with whom he went to Paris; there they went to the Hotel du Rhin, rue du Mail, kept by Johann Graff, father of Emilie, and brother of the famous tailor, Wolfgang Graff. Schwab kept books for this rival of Humann and Staub. Several years later he played the flute at the theatre at which Sylvain Pons directed the orchestra. During an intermission at the first brilliant performance of "La Fiancee du Diable," presented in the fall of 1844, Schwab invited Pons through Schmucke to his approaching wedding; he married Mademoiselle Emilie Graff--a love-match--and joined in business with Frederic Brunner, who was a banker and enriched by the inheritance of his father's property. [Cousin Pons.]
SCHWAB (Madame Wilhelm), wife of the preceding; born Mademoiselle Emilie Graff; an accomplished beauty, niece of Wolfgang Graff, the wealthy tailor, who provided her with dowry. [Cousin Pons.]
SCIO (Madame), a prominent singer of the Theatre Feydeau in 1798, was very beautiful in "Les Peruviens," a comic opera by Mongenod, produced with very indifferent success. [The Seamy Side of History.]
SCOEVOLA (Mucius). Under this assumed name was concealed, during the Terror, a man who had been huntsman to the Prince de Conti, to whom he owed his fortune. A plasterer, and proprietor of a small house in Paris, on about the highest point of the Faubourg Saint-Martin,[*] near the rue d'Allemagne, he affected an exaggerated civism, which masked an unfailing fidelity to the Bourbons, and he in some mysterious way afforded protection to Sisters Marthe and Agathe (Mesdemoiselles de Beauseant and de Langeais), nuns who had escaped from the Abbey of Chelles, and were, with Abbe de Marolles, taking refuge under his roof. [An Episode under the Terror.]
[*] His parish was the Saint-Laurent church, which for a while during the Revolution had the name of Temple of Fidelity.
SECHARD (Jerome-Nicolas), born in 1743. After having been a workman in a printer's shop of Angouleme situated on the Place du Murier, though very illiterate, he became its owner at the beginning of the Revolution; was acquainted at that time with the Marquis de Maucombe, married a woman that was provided with a certain competency, but soon lost her, after having by her a son, David. In the reign of Louis XVIII., fearing the competition of Cointet, J.-N. Sechard retired from active life, selling his business to his son, whom he intentionally deceived in the trade, and moved to Marsac, near Angouleme, where he raised grapes, and drank to excess. During all the latter part of his life, Sechard mercilessly aggravated the commercial difficulties which his son David was struggling against. The old miser died about 1829, leaving property of some value. [Lost Illusions.]
SECHARD (David), only son of the preceding, school-mate and friend of Lucien de Rubempre, learned the art of printing from the Didots of Paris. On one occasion, upon