Rewired_ The Post-Cyberpunk Anthology - James Patrick Kelly [151]
Bash’s shower curtain was more proteopape, laminated and featuring a loop of the Louisiana rainforest, complete with muted soundtrack. Bash yanked it off its hooks and took a shower without regard to slopping water onto the bathroom floor. Toweling off, he even regarded the roll of toilet paper next to the John suspiciously, but then decided that Dagny wouldn’t dare.
Dressed in his usual casual manner—white Wickaway shirt, calf-length tropical-print pants and Supplex sandals — Bash left his house. He took his Segway IX from its recharging slot in the garage, and set out for the nearby commuter-rail node. As he zipped neatly along the wealthy and shady streets of Lincoln, the warm, humid June air laving him, Bash tried to comprehend the full potential dimensions of Dagny’s meddling with proteopape. He pictured schools, businesses, transportation and government agencies all brought to a grinding halt as their proteopape systems crashed. Proteopape figured omnipresently in the year 2029. So deeply had it insinuated itself into daily life that even Bash could not keep track of all its uses. If proteopape went down, it would take the global economy with it.
And what of Bash’s personal rep in the aftermath? When the facts came out, he would become the biggest idiot and traitor the world had ever tarred and feathered. His name would become synonymous with “fuck up”: “You pulled a helluva applebrook that time.” “I totally applebrooked my car, but wasn’t hurt.” “Don’t hire him, he’s a real applebrook.”
The breeze ruffling Bash’s hair failed to dry the sweat on his brow as fast as it formed.
At the station, Bash parked and locked his Segway. He bounded up the stairs and the station door hobermanned open automatically for him. He bought his ticket, and after only a ten-minute wait found himself riding east toward the city.
At the end of Bash’s car a placard of proteopape mounted on the wall cycled through a set of advertisements. Bash kept a wary eye on the ads, but none betrayed a personal vendetta against him.
Disembarking at South Station, Bash looked around for his personal icon in the nearest piece of public proteopape, and quickly discovered it glowing in the corner of a newsstand’s signage: a bright green pear (thoughts of his parents briefly popped up) with the initials BA centered in it.
Every individual in the I2 society owned such a self-selected icon, its uniqueness assured by a global registry. The icons had many uses, but right now Bash’s emblem was going to help him arrive at the Dubsters’ club. His pocket phone was handshaking with every piece of proteopape in the immediate vicinity and was laying down a trail of electronic breadcrumbs for him to follow, based on the directions transmitted earlier by Cricket.
A second pear appeared beyond the newsstand, on a plaque identifying the presence of a wall-mounted fire extinguisher, and so Bash walked toward it. Many other travelers were tracking their own icons simultaneous with Bash. As he approached the second iteration of the luminous pear, a third copy glowed from the decorative patch on the backpack of a passing schoolkid. Bash followed until the kid turned right. (Many contemporary dramas and comedies revolved around the chance meetings initiated by one’s icon appearing on the personal property of a stranger. An individual could of course deny this kind of access, but surprisingly few did.) The pear icon vanished from the pack, to be replaced by an occurrence at the head of the subway stairs. Thus was Bash led onto a train and to his eventual destination, a building on the Fenway not far from the Isabella Stewart Gardner Museum.
As he ascended the steps of the modest brownstone, Bash’s eye was snagged by the passage of a sleek new Europa model car, one of the first to fully incorporate proteopape