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Rienzi [81]

By Root 1262 0
and balconies of the Palace were thronged with the wives and daughters of the lesser Barons and more opulent citizens; and Adrian, with a slight start, beheld amongst them, - pale - agitated - tearful, - the lovely face of his Irene - a face that even thus would have outshone all present, but for one by her side, whose beauty the emotion of the hour only served to embellish. The dark, large, and flashing eyes of Nina di Raselli, just bedewed, were fixed proudly on the hero of her choice: and pride, even more than joy, gave a richer carnation to her cheek, and the presence of a queen to her noble and rounded form. The setting sun poured its full glory over the spot; the bared heads - the animated faces of the crowd - the grey and vast mass of the Capitol; and, not far from the side of Rienzi, it brought into a strange and startling light the sculptured form of a colossal Lion of Basalt, (The existent Capitol is very different from the building at the time of Rienzi; and the reader must not suppose that the present staircase, designed by Michael Angelo, at the base of which are two marble lions, removed by Pius IV. from the Church of St. Stephen del Cacco, was the staircase of the Lion of Basalt, which bears so stern a connexion with the history of Rienzi. That mute witness of dark deeds is no more.) which gave its name to a staircase leading to the Capitol. It was an old Egyptian relic, - vast, worn, and grim; some symbol of a vanished creed, to whose face the sculptor had imparted something of the aspect of the human countenance. And this producing the effect probably sought, gave at all times a mystic, preternatural, and fearful expression to the stern features, and to that solemn and hushed repose, which is so peculiarly the secret of Egyptian sculpture. The awe which this colossal and frowning image was calculated to convey, was felt yet more deeply by the vulgar, because "the Staircase of the Lion" was the wonted place of the state executions, as of the state ceremonies. And seldom did the stoutest citizen forget to cross himself, or feel unchilled with a certain terror, whenever, passing by the place, he caught, suddenly fixed upon him, the stony gaze and ominous grin of that old monster from the cities of the Nile.

It was some minutes before the feelings of the assembly allowed Rienzi to be heard. But when, at length, the last shout closed with a simultaneous cry of "Long live Rienzi! Deliverer and King of Rome!" he raised his hand impatiently, and the curiosity of the crowd procured a sudden silence.

"Deliverer of Rome, my countrymen!" said he. "Yes! change not that title - I am too ambitious to be a King! Preserve your obedience to your Pontiff - your allegiance to your Emperor - but be faithful to your own liberties. Ye have a right to your ancient constitution; but that constitution needed not a king. Emulous of the name of Brutus, I am above the titles of a Tarquin! Romans, awake! awake! be inspired with a nobler love of liberty than that which, if it dethrones the tyrant of today, would madly risk the danger of tyranny for tomorrow! Rome wants still a liberator - never an usurper! - Take away yon bauble!"

There was a pause; the crowd were deeply affected - but they uttered no shouts; they looked anxiously for a reply from their councillors, or popular leaders.

"Signor," said Pandulfo di Guido, who was one of the Caporioni, "your answer is worthy of your fame. But, in order to enforce the law, Rome must endow you with a legal title - if not that of King, deign to accept that of Dictator or of Consul."

"Long live the Consul Rienzi!" cried several voices.

Rienzi waved his hand for silence.

"Pandulfo di Guido! and you, honoured Councillors of Rome! such title is at once too august for my merits, and too inapplicable to my functions. I am one of the people - the people are my charge; the nobles can protect themselves. Dictator and Consul are the appellations of patricians. "No," he continued after a short pause, "if ye deem it necessary, for the preservation of order, that
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