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Rifles - Mark Urban [165]

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of his books of 1835 the same orders were described as ‘most excellent, and extremely well calculated to ensure regularity on the march’.

It is evident that Craufurd grew in the estimation of many Light Division veterans after he had fallen in battle, and Kincaid explicitly said so. This revisionism stemmed in part from negative experiences under other generals, particularly the hopeless Erskine. It seems, however, that the attitudes to their long-dead chief expressed in print were coloured to a great extent by the fact that Craufurd had ascended into a sort of pantheon of national martyrs of the anti-Bonaparte struggle, along with the likes of Sir John Moore and even Nelson. Craufurd had many political friends who saw to it that his reputation was extolled in print, as did Moore. Besmirching his name might have led a Leach or Kincaid into all sorts of difficulties, ranging from a lawsuit from some relative to a duel.

The lionisation of Craufurd took a further turn with the publication of two memoirs from the ranks: Edward Costello’s in 1841 and Benjamin Harris’s in 1848. Both men expressed warm approbation for Black Bob – but both did so with the assistance of gentlemanly ghost writers. Harris, an illiterate, was written up by a former officer in the 52nd and stated, ‘I don’t think the world ever saw a more perfect soldier than General Craufurd.’ Notwithstanding that Harris only served alongside his hero for a few weeks in late 1808 and early 1809, his book was full of anecdote and had a lasting appeal.

Costello at least benefited from being one of those who had gone all the way through from 1809. His memoirs, initially published in a magazine, managed an honesty unmatched in almost all other accounts of the Peninsular War. He freely described the soldiers’ thieving along with their bravery in battle and contempt for skulkers, and he even dealt frankly with the rapes and other crimes committed after the fall of Badajoz.

Leaving aside Costello’s honourable exception, the memoirs, particularly of officers, generally eschewed the sordid or cowardly and extolled the heroic. As one 95th author joined another in print there was a sort of upward spiral of praise for the regiment, with the most effusive panegyrics often coming from those who had been in other corps. Major General Bell, who had served in the 34th alongside George Simmons’s brother Maud, and may well have been influenced by discussions with him, described the 95th, for example, as ‘the most celebrated old fighting corps in the Army or perhaps the world’. By the 1860s, when most of the Peninsular veterans had died, the laudatory parameters for these works had been set – the 95th had achieved legendary status. That said, it is quite possible that the numbers of copies of all of the 95th memoirs put together circulating in, say, 1865 did not exceed twenty thousand.

It took another twenty-five or thirty years, until the end of the nineteenth century, with the Wellingtonian generation long buried, the price of books falling and literacy burgeoning, for the popular appeal of the Rifles’ story really to show itself.

‘A remarkable revival of curiosity in the events of the time of Napoleon has lately arisen,’ wrote one author in a magazine article presenting the reminiscences of an old Rifles man, ‘and there is a romance and interest in the wars of those times which attach to none of the more recent contests.’

The ‘romance’ derived from several factors. Napier had already shrewdly identified that the public ignorance of the Peninsular Army’s years of privation and suffering at the time of the campaigns created a kind of national debt to the veterans. What better way to discharge it than to patronise their writings? In the case of the Light Division or 95th men, the sense of indebtedness was even stronger because they had fought so often and regularly performed their duty against dreadful odds. There was something too about the rifleman’s personal sovereignty – deciding when to fire or when to drop into cover before getting up and charging forward again – that seems

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