River of Smoke - Amitav Ghosh [252]
One of the few merchants whose establishment has remained intact through this time is Mr Bahram Moddie, the Seth from Bombay (he travels in his own ship and is thus able to take his staff wherever he goes). Mr Moddie has been one of the greatest losers in the surrendering of opium (more than a tenth of all the chests are said to be his), and he is so downcast that he seldom emerges from his private quarters – even Zadig Bey, who is one of his oldest friends, hardly ever sees him any more.
But Mr Moddie’s staff are a lively bunch, and through these last few weeks they have held a kind of open house, welcoming everyone who wants to eat at their table. I cannot tell you what a boon this has been to me, Puggly dear, for they have a peerless khansama and the food is unfailingly excellent – not till I ate at their table did I realize how much I miss my dholl and karibat!
The company too is most congenial: Mr Moddie’s purser goes by the name of Vico and he is a jolly kind of fellow, always thinking of amusing ways to ‘time-pass’ (he has been away lately, supervising the transfer of Mr Moddie’s opium to the authorities, and is much missed). Mr Moddie’s munshi is an intriguing, rather mysterious man: he is a Bengali and claims to be from Tippera – but his Bangla accent speaks of a pure-bred Calcuttan, although he will not on any account admit this. (Speaking of Calcuttans I happened to mention to him that a Calcutta-born Miss, by the name of Paulette Lambert, was in the vicinity – and I swear, my dear Ranee of Pugglipur, that your name could not have been unknown to him. At the sound of it he turned quite pale, or at least as pale as his complexion would allow!)
Amongst those who frequent Mr Moddie’s kitchen there are several Parsis and one of them is a most fetching young man by the name of Dinyar Ferdoonjee. We were thinking one night of things we might do to keep ourselves entertained and it occurred to me to suggest that we stage a play – and before we knew it, there we were putting on ‘Anarkali: The Doomed Nautch-Girl of Lahore’ (as you may know, Puggly dear, this was my mother’s favourite role, and I have always dreamt of playing it).
I wish I could tell you, my sweet chérie, how much fun we had! I made all my own costumes and the munshi took the role of the cruel old Emperor and played it exceedingly well (I must say, for a mofussil munshi he is rather well-informed about courtly etiquette). And Dinyar made a most splendid Jahangir, a perfect foil for my Anarkali: he is an excellent singer and dancer so I put in a couple of new songs, which we sang while chasing each other around a tree (it was just a pillar, of course). Such a grand old time did we have that Dinyar says that when he gets back to Bombay he will start a theatre company!