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River of Smoke - Amitav Ghosh [41]

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to the damage she had suffered; through the bandaging of nets that swathed her prow the evidence of her injury was clearly visible: there was a huge cavity where her jib-boom and figurehead should have been.

Many heads turned to stare at the decapitated ship and Neel noticed that Ah Fatt, in particular, was mesmerized by the sight of the damaged vessel – he gazed at it so fixedly that his knuckles turned white on the gunwales.

By the time they reached Boat Quay it was dark. They crossed the river, intending to seek out one of the many doss-houses where lascars, coolies and other working men could rent some floor space for a couple of coppers. But then Ah Fatt changed his mind. Walking along the embankment, he said ‘Hungry! Come, we find kitchen-boat.’

Kitchen fires were burning on many of the small boats that lined the shore, and on several of them groups of people – mainly Chinese men – could be seen eating and drinking. Ah Fatt stopped to appraise each in turn but none seemed to satisfy him. After walking on for a bit he came suddenly to a halt and gestured to Neel to follow him across a gangplank: his decision was made without hesitation, although on what basis Neel could not tell, for this boat seemed, if anything, somewhat darker and less frequented than the others.

‘Why this one? How is it any different?’

‘Never mind. Come.’

The boat was manned by a round-faced younger woman and a couple who looked as though they might have been her grandparents: they seemed to have finished for the day, and the older man was reclining on a mat when Ah Fatt shouted a few words across the gangplank. Whether these were greetings or questions, Neel could not tell, but their effect, in any event, was magical, instantly transforming the somnolent boat: the older couple broke into welcoming smiles while the younger woman beckoned energetically as she answered Ah Fatt.

‘What is she saying?’

‘She say Uncle and Aunt go to sleep now, but she happy make food.’

The warmth of the welcome seemed all the more surpising to Neel because both he and Ah Fatt looked like penniless vagabonds, in their threadbare pyjamas and soiled tunics, with their bundles slung over their shoulders. ‘What did you say to them?’ he asked. ‘Why do they seem so happy to see you?’

‘Spoke in boat language,’ said Ah Fatt, in his laconic way. ‘They understood. Never mind. Time to eat rice. And drink. We drink Canton-grog.’

The kitchen-boat was of a curious shape: it looked as though its mid-section had been carved out, leaving it with a raised stem and stern. At the rear was a wooden ‘house’ with a heavy door, and at the other end, between the bows, there was a thatch-covered area with open sides: this was where customers ate, sitting around a couple of raised planks that served as tables. The carved-out mid-section was where the cooking was done: the cook had only to rise to her feet to put the food upon the ‘tables’.

After they had seated themselves, Ah Fatt leant into the well of the kitchen space and had a brief exchange with the young woman. The conversation ended with him pointing to the roof of the ‘house’, where clusters of live chickens dangled upside down, trussed by their feet. The woman reached up and picked a chicken off the roof, plucking it from its covey as though it were a fruit on a vine. There was a brief squawking and flapping and then the bird, now headless but still trussed, was dropped over the side of the boat, to flap its wings in the river. Slowly the sound died away and a minute later bits of offal went into a fish-basket that was suspended beside the boat, producing a boiling, thrashing noise. There followed the hissing of hot oil, and soon a dish of fried liver, gizzards and intestines appeared before them.

The tastes were so vivid that Neel dispensed with chopsticks and fell upon the food with his hands. Yet Ah Fatt, despite having declared himself to be hungry, seemed hardly to notice the dish – no sooner had he finished talking to the cook than his eyes and his attention returned to the jibless vessel across the river.

‘Why do you

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