River of Smoke - Amitav Ghosh [90]
But Bahram was not, of course, the only merchant ever to use that room: in years when he chose to remain in Bombay over the trading season, it was rented out to others. Several of the apartment’s former occupants had left behind traces of their tenancy, for it often happened, at the end of a season, that a merchant would find himself burdened with more possessions than he could conveniently carry home: in those circumstances, the easiest thing to do was to leave them behind. In this fashion a large collection of miscellaneous objects had accumulated in the daftar: waist-high figurines with nodding heads, pagodas carved out of wood, lacquered mirrors, a silver urn that was actually a nutmeg grater, and a glass bowl with a perpetually circling, goggle-eyed goldfish. Many of these things belonged to Bahram, including an enigmatic boulder that sat in one of the room’s darker corners, blanketed in dust: it was large, grey and so pock-marked with holes that it looked as if it had been eaten from within by maggots.
‘You know who gave that thing?’ said Bahram to Neel one morning, pointing to the boulder. ‘It was Chunqua, my old comprador. One fine day he comes here and says he has brought a present to do chin-chin. So I said, all right, why not? So then six fellows come up carrying this rock. Must be some joke, I thought: the fellow has hidden some jewel or something inside – now suddenly he will pull it out and make a big surprise. But no! He tells me his great-great-grandfather has brought it from Lake Tai, which is famous for stones – (just imagine, hah? for rocks also these Chinese fellows have ‘famous places’ – like laddoos and mithais for us). But after the rock was brought back to his house, his forefather decided the damn thing wasn’t ready yet. See, no, how these fellows think? God had made this rock long ago, but that is not enough. So what they did, you know? They placed it under their house roof, so water could fall on it and make patterns. So much time these fellows have, hah? Not like you and me: no one is doing jaldi-jaldi and chull-chull. Ninety years the bloody rock sits under the roof, and then Chunqua decides it is ready at last and he brings to me as a chin-chin gift. Arré-baba, I thought to myself, what I will do with this damn-big rock? But can’t refuse also or his feelings may be hurt. And can’t take home either, or Beebeejee will dumbcow. “What?” she will say: “nothing else you can find in China, you are bringing me sticks and stones? What sort of budmashee you are learning there?” So what to do? I had to leave here.’
The rock was not the only object in the room to be imbued with a private significance for the Seth: his desk was another. This was, without a doubt, a beautifully made piece of furniture, a polished assemblage of red-tinted padauk wood and gleaming Paktong hardware. The front opened out to reveal a double row of arched pigeonholes, separated by columns that were carved to look like gilded book-spines. Below the writing surface lay nine solid drawers, each fitted with a brass handle and keyhole.
The desk’s keys were all in Bahram’s safe keeping, except for the largest which opened the front – Neel too was entrusted with a copy of this one, for it was his job to unlock the desk in the morning and to make sure that it was stocked with Bahram’s chosen writing materials. The goose quills that the Seth professed to like were not hard to supply – but ink was a different matter, for Bahram would not put up with anything ordinary. While in Canton, he insisted on having at his disposal a finely carved inkstone, a couple of high-quality inksticks, and a little pot of special ‘spring’ water – all this so that he might, if the need arose, grind his own ink, in the patient, meditative fashion of a Chinese scholar.