Rivethead - Ben Hamper [4]
The music of the Dead Rock Stars bursts from a ledge on Dougie's workbench—our hideaway for Hogjaw's stereo. Just before the start of every shift, Dougie goes through the complicated ritual of threading the cords and speaker wires from the stereo down a hollow leg in his workbench and into the plug at the base of the water fountain behind his job. The camouflage must be perfect. It is against company policy to use a General Motors electrical outlet as a source to summon up Dead Rock Stars. Only battery-powered radios are allowed.
Originally Hogjaw complied with this rule. It wasn't easy. Due to the enormous power demand of his radio creation, the Jaw was forced to lug a car battery into work with him every shift. You would see him strainin’ his way through the parking lot every afternoon, a lunch bucket curled under one arm and his trusty Delco Weatherbeater hoisted on top of his other shoulder. Trailing behind him would be a couple of riveters with their arms locked around the speaker boxes—pallbearers bringin’ around the tombs of the Dead Rock Stars.
This went on for a month or so before the security guards decided to halt the parade. Car batteries were declared illegal. Apparently the guards had concluded that it was a mighty dangerous precedent to allow workers to enter the plant premises with the batteries of their automobiles stashed on their shoulders. After all, whose heads would be in the vise if one of these sonic blasters pulled an overload up on the assembly line and spewed a load of battery acid into the eyes and ears of the screw brigade? Dead Rock Stars? Dead Shoprats? Not on my goddamn beat.
As for the popularity of Dead Rock Stars on the Rivet Line, I've settled upon this private theory. The music of the Dead Rock Stars is redundant and completely predictable. We've heard their songs a million times over. In this way, the music of the Dead Rock Stars infinitely mirrors the drudgery of our assembly jobs. Since assembly labor is only a basic extension of high school humdrum, it only stands to reason that the same wearied hepsters who used to dodge economics class for a smoke in the boys’ room would later in life become fossilized to the hibernatin’ soundtracks of their own implacable youth. Let the eggheads in economics have David Byrne and Laurie Anderson. The rivetheads be needin’ their “Purple Haze” and “Free Bird” just like tomorrow needs today.
It's mob rule, and the mob demands Dead Rock Stars in their choir loft. Of course this arrangement provides for a fair amount of bitching from linemates in our area who hold no sacred allegiance to the songs of the rockin’ deceased.
For example, there's Dick, the left-side rear spring man. He works directly across from Dougie, travelin’ a nightly path that requires him to take the maximum dose of Dead Rock Star thud. It's nothing unusual to spot Dick takin’ a deep drag from one of his ever-present Winstons while gazin’ head-on into the boom box with this buggered glint in his eye and this twisted grimace on his face that almost pleads aloud for some kind of transistor malfunction, tweeter meltdown or any other variety of holy intervention.
Eddie and Jehan prefer rap music. On occasion, Jehan brings in his own battery-powered blaster and engages in this furious battle-of-the-blare with Hogjaw's almighty boom box. The Kings of Rap vs. The Dead Rock Stars vs. The Steady Clang of Industry. It makes for quite the raucous stew—sorta like pluggin’ your head into the butt end of a Concorde during acceleration mode.
Management's stance on all of this usually boils down to a simple matter of see no evil, hear no evil. If the guy in the tie can't actually see the visible evidence of how you're wastin’ millions of corporate dollars, he's most often inclined to let the