Roadwork - Stephen King [101]
U.S. DRINKING TEAM
He put the stein back, now filled with a headier brew, and went upstairs to Charlie's room, where his desk was. He rummaged through the bottom drawer and found a small manila envelope. He sat down at the desk, added up the new checkbook balance and saw that it came out to $35,053.49. He addressed the manila envelope to Mary, in care of her folks. He slipped the checkbook inside, sealed the envelope, and rummaged in his desk again. He found a half-full book of stamps, and put five eight-centers on the envelope. He regarded it for a moment, and then, below the address, he wrote:
FIRST CLASS MAIL
He left the envelope standing on his desk and went into the kitchen to make himself a drink.
January 10, 1974
It was late in the evening, snowing, and Magliore hadn't called. He was sitting in the living room with a drink, listening to the stereo because the TV was still hors de combat. He had gone out earlier with two ten-dollar bills from the beer stein and had bought four rock and roll albums. One of them was called Let It Bleed by the Rolling Stones. They had been playing it at the party, and he liked it better than the others he had bought, which seemed sort of sappy. One of them, an album by a group called Crosby, Stills, Nash and Young, was so sappy that he had broken it over his knee. But Let It Bleed was filled with loud, leering, thumping music. It banged and jangled. He liked it a great deal. It reminded him of "Let's Make a Deal," which was MC'ed by Monte Hall. Now Mick Jagger was singing:
Well we all need someone to cream on,
And if you want to, you can cream on me.
He had been thinking about the bank poster, showing the whole earth, various and new, with the legend that invited the viewer to Go AWAY. It made him think about the trip he had taken on New Year's Eve. He had gone away, all right. Far away.
But hadn't he enjoyed it?
The thought brought him up shop.
He had been dragging around for the last two months like a dog whose balls had been caught in a swinging door. But hadn't there been compensations along the way?
He had done things he never would have done otherwise. The trips on the turnpike, as mindless and free as migration. The girl and the sex, the touch of her breasts so unlike Mary's. Talking with a man who was a crook. Being accepted finally by that man as a serious person. The illegal exhilaration of throwing the gasoline bombs and the dreamy terror, like drowning, when it seemed the car would not lurch up over the embankment and carry him away. Deep emotions had been excavated from his dry, middle-echelon executive's soul like the relics of a dark religion from an archaeological dig. He knew what it was to be alive.
Of course there were bad things. The way he had lost control in Handy Andy's, shouting at Mary. The gnawing loneliness of those first two weeks alone, alone for the first time in twenty years with only the dreadful, mortal beat of his own heart for company. Being punched by Vinnie-Vinnie Mason of all people!-in the department store. The awful fear hangover the morning after he had firebombed the construction. That lingered most of all.
But even those things, as bad as they had been, had been new and somehow exciting, like the thought that he might be insane or going insane. The tracks through the interior landscape he had been strolling (or crawling?) through these last two months were the only tracks. He had explored himself and if what he had been finding was often banal, it was also sometimes dreadful and beautiful.
His thoughts reverted to Olivia as he had last seen her, standing on the turnpike ramp with her sign, LAS VEGAS OR BUST! held up defiantly into the cold indifference of things. He thought of the bank poster: GO AWAY. Why not? There was nothing to hold him