Roadwork - Stephen King [109]
He heard himself say: "Do you remember when we took Charlie to nursery school the first time?"
"Yes. He cried and you wanted to take him back with us. You didn't want to let him go, Bart. "
"And you did."
She was saying something disclaiming in a slightly wounded tone, but he was remembering the scene. The lady who kept the nursery school was Mrs. Ricker. She had a certificate from the state, and she gave all the children a nice hot lunch before sending them home at one o'clock. School was kept downstairs in a madeover basement and as they led Charlie down between them, he felt like a traitor; like a farmer petting a cow and saying Soo, Bess on the way to the slaughterhouse. He had been a beautiful boy, his Charlie. Blond hair that had darkened later, blue, watchful eyes, hands that had been clever even as a toddler. And he had stood between them at the bottom of the stairs, stock-still, watching the other children who were whooping and running and coloring and cutting colored paper with bluntnosed scissors, so many of them, and Charlie had never looked so vulnerable as he did in that instant, just watching the other children. There was no joy or fear in his eyes, only the watchfulness, a kind of outsiderness, and he had never felt so much his son's father as then, never so close to the actual run of his thoughts. And Mrs. Ricker came over, smiling like a barracuda and she said: We'll have such fun, Chuck, making him want to cry out: That's not his name! And when she put out her hand Charlie did not take it but only watched it so she stole his hand and began to pull him a little toward the others, and he went willingly two steps and then stopped, looked back at them, and Mrs. Young said very quietly: Go right along, he'll be fine. And Mary finally had to poke him and say Come ON, Bart because he was frozen looking at his son, his son's eyes saying, Are you going to let them do this to me, George? and his own eyes saying back, Yes, I guess 1 am, Freddy and he and Mary started up the stairs, showing Charlie their backs, the most dreadful thing a little child can see, and Charlie began to wail. But Mary's footsteps never faltered because a woman's love is strange and cruel and nearly always clear-sighted, love that sees is always horrible love, and she knew walking away was right and so she walked, dismissing the cries as only another part of the boy's development, like smiles from gas or scraped knees. And he had felt a pain in his chest so sharp, so physical, that he had wondered if he was having a heart attack, and then the pain had just passed, leaving him shaken and unable to interpret it, but now he thought that the pain had been plain old prosaic good-bye. Parents' backs aren't the most dreadful thing. The most dreadful thing of all is the speed with which children dismiss those same backs and turn to their own affairs-to the game, the puzzle, the new friend, and eventually to death. Those were the awful things he had come to know now. Charlie had begun dying long before he got sick, and there was no putting a stop to it.
"Bart?" she was saying. "Are you still there, Bart?"
"I'm here."
"What good are you doing yourself thinking about Charlie all the time? It's eating you up. You're his prisoner."
"But you're free," he said. "Yes."
"Shall I see the lawyer next week?"
"Okay. Fine."
"It doesn't have to be nasty, does it, Bart?"
"No. It will be very civilized."
"You won't change your mind and contest it?"
"No."
"I'll I'll be talking to you, then."
"You knew it was time to leave him and so you did. I wish to God I could be that instinctive."
"What?"
"Nothing. Good-bye, Mary. I love you." He realized he had said it after he