Robber Bride - Margaret Atwood [129]
When she woke up she was outside. It was quite dark but there was a half moon; in the moonlight she could see the trunks of trees, and the shadows the branches made. At first she was afraid because she didn’t know where she was or how she’d got there. There was a deep sweet smell, a glimmering of flowers, milkweeds as she learned later, and a fluttering of many moths, the white flakes of their wings kissing against her. Somewhere near was running water.
She heard breathing. Then she felt a wet nose pushed into her hand, and something brushed against her. The two dogs were with her, one on either side. Had they barked when she came out of the house? She didn’t know, she hadn’t heard them. But she didn’t worry any more because they would know the way back. She stood for a long time, breathing in and breathing in, the scent of trees and dogs and night flowers and water, because this was the best thing, it was what she wanted, to be outside in the night by herself. She wasn’t sick any longer.
Finally the dogs nudged her gently, turning her around, herding her back towards the dark bulk of the house. No lights were on anywhere; she thought she might go in and up the stairs and into her bed without her grandmother knowing. She didn’t want to be shaken or told she was hard, or hit with anything. But when she reached the house her grandmother was standing beside it, in a long pale nightgown with her hair feathery in the moonlight, holding the door open, and she didn’t say anything at all. She simply nodded at Karen, and Karen went inside.
She felt welcomed, as if the house were a different house, at night; as if this was the first time she had entered it. She knew now that her grandmother walked in her sleep, too, and that her grandmother also could see in the dark.
In the morning Karen ran her hands over the backs of her legs. Nothing hurt. All she could feel, instead of the sticky welts that had been there before, were some tiny thin lines, like hairs; like the cracks in a mirror.
The room Karen slept in was the smallest bedroom upstairs. It used to be her mother’s. The bed was narrow, with a scratched headboard of dark varnished wood. There was a white bedspread on it that looked like a lot of caterpillars sewn together, and a chest of drawers painted blue, with a straight-backed wooden chair to match. The drawers were lined with old newspapers; Karen put her folded clothes into them. The curtains were a faded forget-me-not print. In the mornings the sunlight came in through them, showing the dust on the surfaces, and on the rungs of the chair. There was a braided rug, shabby from use, and a dark wardrobe jammed into one corner.
Karen knew her mother hated this room; she hated the whole house. Karen didn’t hate it, although there were some things about it she found strange. In the big front bedroom where her grandmother slept, there was a row of men’s boots in the closet. There was no bathroom, only an outhouse, with a wooden box of lime and a little wooden paddle, to put the lime down the hole. There was a front parlour with dark curtains and a collection of Indian arrowheads picked up in the fields, and huge stacks of old newspapers all over the floor. On the wall was a framed photo of Karen’s grandfather, from a long time ago, before he got crushed by a tractor. “He didn’t grow up with tractors,” said the grandmother. “Only horses. Damn thing rolled on him. Your mother saw it happen, she was only ten at the time. Maybe that’s where she went off the rails. He said it was his own fault, for meddling with the Devil’s inventions. He lived for a week, but there was nothing I could do. I can’t do a thing about bones.” She said these things more to herself