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Robber Bride - Margaret Atwood [194]

By Root 759 0
It’s a square picture with a wide white border, the figures tiny and fading: a family group, father, mother, two young children, and another older woman, off to one side. The aunt, Roz assumes. Both of the children are blond.

What amazes Roz is how contemporary they look: the knee-high skirts on the women, from the late twenties? the early thirties? – the smart hats, the makeup, it could be the retro look, in some fashion magazine, right now. Only the clothes of the children are archaic; that, and their haircuts. A suit and tie and short back and sides for the boy, and a fussy dress and ringlets for the girl. The smiles are a little tight, but smiles were, in those days. They are dress-up smiles. It must have been a special occasion: a vacation, a religious holiday, somebody’s birthday.

“That was before the war,” says Zenia. “It was before things got really bad. I was never part of that world. I was born right after the war started; I was a war baby. Anyway, that’s all I have, this picture. It’s all that’s left of them. My aunt searched, after the war. There was nothing left.” She slides the photo carefully back into her wallet.

“What about the aunt?” says Roz. “Why didn’t they take her, too?”

“She wasn’t Jewish,” says Zenia. “She was my father’s sister. My father wasn’t Jewish either, but after the Nuremberg laws were passed he was treated as one, because he was married to one. Hell, even my mother wasn’t Jewish! Not by religion. She was Catholic, as a matter of fact. But two of her four grandparents were Jewish, so she was classified as a mischling, first degree. A mixture. Did you know they had degrees?”

“Yes,” says Roz. So Zenia is a mixture, like herself!

“Some of those mischlings survived longer than the real Jews,” says Zenia. “My parents, for instance. I guess they thought it wouldn’t happen to them. They thought of themselves as good Germans. They weren’t in touch with the Jewish community, so they didn’t even hear the rumours; or if they did, they didn’t believe them. It’s astonishing what people will refuse to believe.”

“How about your aunt?” says Roz. “Why did she get out? If she wasn’t Jewish at all, wasn’t she safe?” Though come to think of it, safe is a silly word to use in such a context.

“Because of me,” says Zenia. “They would have figured out sooner or later that my parents had three children, not two. Or some neighbour of my aunt’s would have seen or heard me, and turned us in. A baby, in the home of an unmarried woman who just a little while before had no baby at all. People get a huge bang out of denunciation, you know. It makes them feel morally superior. God, how I hate that smug self-righteousness! People patting themselves on the back for murder.

“So my aunt started looking for a way to get me out, and then she found herself in a whole other world – the underground world, the black market world. She’d always lived above ground, but she had to go into that other world in order to protect me. There isn’t a place on earth where that world doesn’t exist; all you have to do is take a few steps off to the side, a few steps down, and there it is, side by side with the world people like to think of as normal. Remember the fifties, remember trying to get an abortion? It only took three phone calls. Provided you could pay, of course. You’d get handed along the line, to somebody who knew someone. It was the same in Germany at that time, for things like passports, only you had to be careful who you asked.

“What my aunt needed was some fake papers saying I was her daughter, by a husband killed in France, and she got some; but they wouldn’t have stood up to much scrutiny. I mean, look at me! I’m hardly Aryan. My brother and my sister were both blond, and my father had light hair; my mother too. I must be some kind of throwback. So she knew she had to get me away, she had to get me right out. If they caught her she’d be up for treachery, because she was helping me. Some treachery! Christ, I was only six months old!”

Roz doesn’t know what to say. “Poor you,” which is what she murmurs to the stories of

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