Robber Bride - Margaret Atwood [225]
“What we need is stuff that makes stuff you’d otherwise have to pay a lot more for,” says Shanita. “Saving, is our theme. God, I know this junk backwards, been doing it all my life. Thing is, nobody ever told me what you can make out of a million rubber bands.”
She’s decided to change their outfits, too: instead of the flowered pastels they’ll be wearing canvas carpenter’s aprons, in beige, and square caps made of folded brown paper. A pencil stuck behind the ear will complete the look. “Like we mean business,” says Shanita.
Despite the admiration she’s giving out, because all creativity should be supported and this is certainly creative, Charis isn’t sure she’ll fit in. It will be a tight squeeze, but she’ll have to give it a try, because what other jobs are out there, especially for her? She might not even be able to get a job filing; not that she wants one, she doesn’t consider the alphabet to be an accurate way of classifying things. If she stays she’ll have to be more forceful, though; she’ll have to seize hold. Get a grip. Actively sell. Shanita says that service and competitive pricing are the watchwords of the future. That, and keeping down the overheads. At least they don’t have debt. “Thank God I never borrowed a lot,” she says. “Banks wouldn’t lend it to me, is why.”
“Why wouldn’t they?” says Charis.
Shanita tosses her hair – worn hanging down today in a single long shining curl – and gives her a scornful glance. “Three guesses,” she says.
They take a work break in the afternoon and Shanita makes them some Lemon Refresher from their stockroom and lays out the cards for Charis. “Big event, coming up soon,” she says. “What I see is – your card is the Queen of Cups, right? It’s the High Priestess crossing you. Does this mean a thing?”
“Yes,” says Charis. “Will I win?”
“What is this win?” says Shanita, smiling at her. “That’s the first time I ever heard that word from you! Maybe it’s time you started saying it.” She peers at the cards, lays down a few more. “Looks something like winning,” she says. “Anyway, you don’t lose. But! There’s a death. Just no way around it.”
“Not Augusta!” says Charis. She’s trying to see for herself: the Tower, the Queen of Swords, the Magician, the Fool. But cards are a thing she’s never been able to do.
“No, no, nowhere near her,” says Shanita. “This is an older person. Older than her, I mean. Related to you somehow, though. You are not going to see this death happen, but you’re going to be the one finding it out.”
Charis is dismayed. Billy, it must be. She will go to see Zenia, and Zenia will tell her that Billy is dead. That’s what she’s always dreaded. But it will be better than not knowing. There’s a good side to it, as well, because when it’s her own turn to make the transition and she finds herself in the dark tunnel, in the cave, on the boat, and sees the light up ahead of her, it will be Billy’s voice she will hear first. He will be the one helping her, on the other side. They will be together, and he wouldn’t be able to meet her like that if he hadn’t died first.
It helps her, to know about the High Priestess crossing her. Also it fits, because now, finally, she’s come to the chosen day, the right day to confront Zenia. She realized it as soon as she got up, as soon as she stuck her daily pin into the Bible. It picked out Revelations Seventeen, the chapter about the Great Whore: And the woman was arrayed in purple and scarlet colour, and decked with gold and precious stones and pearls, having a golden cup in her hand full of abominations and filthiness of her fornication: And upon her forehead was written, MYSTERY, BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH.
Behind Charis’s closed eyelids the form took shape, the outline – crimson around the edges, with scintillations of diamond-hard light. She couldn’t see the face; though who else could it be but Zenia?
“That’s why I thought it was