Robber Bride - Margaret Atwood [41]
“Look,” she tells them, “I put my elbow in your darned blue milk!”
“Oh heck!” they say. “Oh double darn!” They smile at her with relief.
13
The twins place their tall smoothie glasses ostentatiously in the dishwasher, head for the back stairs, forget the blender, remember it and come back, put it in too, forget the puddle of blue milk. Roz wipes it up as they take the stairs, two at a time, and barge along the hall to their rooms to get ready for school. They’re more subdued than usual, though; normally it’s an elephant stampede. Upstairs, two stereos go on at once, two competing drumbeats.
A couple more years and they’ll be away at university, in some other city. The house will be quiet. Roz doesn’t want to think about it. Maybe she’ll sell this barn. Get a Grade A condo, overlooking the lake. Flirt with the doorman.
She sits at the white counter, drinking her coffee at last, and eating her breakfast. Two rusks. Just an orange and two rusks, because she’s on a diet. Sort of a diet. A mini-diet.
She used to do all kinds of diets. Grapefruit ones, bran added to everything, all-protein. She used to wax and wane like the moon, trying to shake the twenty pounds that came on when the twins were born. But she’s not so drastic any more. She knows by now that weird diets are bad for you, the magazines have been full of it. The body is like a besieged fortress, they say; it stores up food supplies in its fat cells, it stockpiles in case of emergency, and if you diet then it thinks it’s being starved to death and stores up even more, and you turn into a blimp. Still, a little deprivation here and there can’t hurt. Eating a little less, that’s not a real diet.
It’s not as if she’s fat, anyway. She’s just solid. A good peasant body, from when the women had to pull the ploughs.
Though maybe she shouldn’t skimp so much, especially at breakfast. Breakfast is the most important meal of the day, and at this age, what they say is that you trim the body at the expense of the face. It comes off the hips, but off the neck first. Then you get chicken neck. She has no intention of turning into one of those fiftyish size 6 bimbos with faces like piles of scrap metal and string, each bone and tendon showing. Though bimbo isn’t the right word for a woman of that age. Bimbag, maybe. That’s what Zenia would have been, if she’d lived. A bimbag.
Roz smiles, and puts two pieces of whole wheat bread into the toaster. She finds it helpful to call Zenia names; helpful and reassuring. So who can it hurt, now?
So who did it hurt, then? she asks herself bitterly. Certainly not Zenia, who never gave two hoots about what Roz thought of her. Or said about her, even to Mitch. There were some things she had the sense not to say, however. Can’t you see those tits aren’t real? She had them done, I know for a fact; she used to be a 34A. You’re in love with two sacks of silicone gel. No, that wouldn’t have gone over all that well with Mitch, not in his besotted phase. And after his besotted phase it was too late.
Those things don’t burn when they cremate you either; that’s the rumour going around, about artificial boobs. They just melt. The rest of you turns to ashes, but your tits to marshmallow goo; they have to scrape them off the bottom of the furnace. Maybe that’s why they didn’t scatter the ashes at Zenia’s memorial service. Maybe they couldn’t. Maybe that’s what was in that sealed tin can. Melted tits.
Roz butters her two pieces of toast and spreads honey on them, and eats them with slow relish, licking her fingers. If Zenia were alive there’s no doubt that she’d be dieting; you don’t get a waist like Zenia’s without hard work. So by now she’d have chicken neck. Or else she’d be going for surgery, more of it. She’d get a nip here, a tuck there; a lid-lift, puffed-up lips. That isn’t for Roz, she can’t stand the thought of someone, some strange man, bending over her with a knife while she’s lying in bed conked out cold. She’s read too many thrillers