Robber Bride - Margaret Atwood [54]
It’s at this moment that Roz catches the look on Tony’s face. It isn’t fear, exactly: it’s an intentness, a focusing, a silent growl. If Tony had hackles they’d be raised, if she had fangs they’d be bared. This expression is so unlike the normal Tony that it scares Roz to bits.
“Tony, what’s wrong?” she says.
“Turn your head slowly,” says Tony. “Don’t scream.”
Oh shit. It’s her. In the flesh.
Roz has no doubt, not a moment of it. If anyone can come back from the dead, if anyone would be determined to do it, it’s Zenia. And she’s back, all right. She’s back in town, like the guy in the black hat in Western movies. The way she’s striding through the room proclaims her sense of re-entry, of staking out the territory: a tiny contemptuous upcurved smirk, a conscious pelvic swagger, as if she’s got two pearl-handled revolvers slung on her hips and is just waiting for an excuse to use them. Her perfume trails behind her like the smoke from an insolent cigar. While the three of them sit huddled at their table, cowards all, pretending not to notice and avoiding eye contact and acting like the Main Street folks who dive for cover behind the dry-goods counter, keeping out of the line of fire.
Roz reaches down for her purse, sneaking a peek at Zenia over her lowered shoulder, taking her measure, as Zenia undulates into a chair. Zenia is still magnificent. Though Roz knows how much of her is manufactured, it makes no difference. When you alter yourself, the alterations become the truth: who knows that better than Roz, whose hair tints vary monthly? Such things are not illusions, they are transformations. Zenia is no longer a small-titted person with two implants, she’s a big-breasted knockout. The same goes for the nose job, and if Zenia’s hair is turning grey it’s invisible, she must have a top-notch colourist. You are what they see. Like a renovated building, Zenia is no longer the original, she’s the end result.
Still, Roz can picture the stitch marks, the needle tracks, where the Frankenstein doctors have been at work. She knows the fault lines where Zenia might crack open. She would like to be able to say a magic word – Shazam! – that would cause time to run backwards, make the caps on Zenia’s teeth pop off to reveal the dead stumps underneath, melt her ceramic glaze, whiten her hair, shrivel her amino-acid-fed estrogen-replacement skin, pop her breasts open like grapes so that their silicone bulges would whiz across the room and splat against the wall.
What would Zenia be then? Human, like everyone else. It would do her good. Or rather it would do Roz good, because it would even the odds. As it is, Roz is going to war armed only with a basketful of nasty adjectives, a handful of ineffectual pebbles. What exactly can she do, to Zenia? Not a heck of a lot, because there can’t be anything Zenia wants from her. Any more.
In the midst of her vengeful and fatalistic meditations, it occurs to her that Zenia may not just sit there and wait for Roz to attack. She may be here for a reason. She may be on the prowl. Hide the silver! What does she want, who is she out to get? At the thought that it might be her – though how, though why? – Roz shivers.
16
How did Roz get here, outside the Toxique? It must have been via her feet, but she can’t recall gathering her purse, getting up, bravely, stupidly turning her back on Zenia, walking; she’s been teleported, as in sci-fi movies of the fifties, reduced to a swirl of black-and-white zits, then reconstituted outside the door. She hugs Tony goodbye, and then Charis. She doesn’t kiss their cheeks. Kisses are show-off, hugs are for real.
Tony is so little, Charis is so thin, both are shaken. She feels as if she’s hugging the twins, one and then the other, on the morning of their first day at school. She wants to spread her hen wings over them, reassure them, tell them that everything will be all right, they just have to be courageous; but these are grown-ups she’s dealing with, both of them smarter than she is in their different ways, and she knows they wouldn’t believe a word