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Robber Bride - Margaret Atwood [68]

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law?”

Tony realizes she’s made a mistake, a slip of the tongue. She’s reversed the word. It must be the alcohol.

“I mean war,” she says, pronouncing this time carefully. “That’s what I want to do with my life. I want to study war.” She shouldn’t have said it, she shouldn’t have told that much about herself, she’s put it wrong. She’s been ridiculous.

Zenia laughs, but it isn’t a mocking laugh. It’s a laugh of delight. She touches Tony’s arm, lightly, as in a game of tag played with cobwebs. “Let’s have coffee,” she says. And Tony smiles.

20

That was it, that was the decisive moment. Rubicon! The die was cast, but who would have known it at the time? Not Tony, although she does remember a sensation, the sensation of having lost her footing, of being swept out into a strong current. And what, exactly, had acted as the invitation proper? What had beckoned to Zenia, shown her an opening in Tony’s beetle-like little armoured carapace? Which was the magic word, raw or war? Probably it was the two of them together; the doubleness. That would have had high appeal, for Zenia.

But this may be just overcomplication, intellectual web-spinning, to which Tony knows she is prone. Doubtless it was something much simpler, much more obvious: Tony’s confusion, her lack of defences under the circumstances, the circumstances being West; West, and the fact that Tony loved him. Zenia must have sensed this before Tony did, and known that Tony was no threat, and known as well that Tony had some feathers worth plucking.

But what about Tony herself? What was Zenia offering her, or appearing to offer, as she stood there in the black kitchen, as she smiled with her fingers lightly on Tony’s arm, shimmering in the candlelight like a mirage?

Nature abhors a vacuum, thinks Tony. How inconvenient. Otherwise, we vacuums might lead our lives in relative security.

Not that Tony is a vacuum now. No, not at all. Now she’s replete, now she wallows in plenitude, now she’s guarding a castle full of treasure, now she’s involved. Now she must take hold.


Tony paces the basement floor, her pen and notebook neglected on the ping-pong table, thinking of West sleeping upstairs, with the air going deeply into and out of him; West, shifting and groaning, with forlorn sighs, sighs that sound like heartbreak. She listens to the screams of the dying, to the cheering of the Saracens on the barren coast, to the refrigerator humming nearby, to the clunk of the furnace as it turns itself off and on, and to Zenia’s voice.

A drawling voice, with a slight hesitation in it, a slight foreign flavour, the hint of a lisp; low, succulent, but with a hard surface. A glazed chocolate, with a soft, buttery, deceptive centre. Sweet, and bad for you.


“What would cause you to kill yourself?” says Zenia.

“Kill myself?” says Tony wonderingly, as if she’s never thought of such a thing. “I don’t know. I don’t think I would.”

“What if you had cancer?” Zenia says. “What if you knew you were going to die slowly, in unbearable pain? What if you knew where the microfilm was, and the other side knew you knew, and they were going to torture you to get it out of you and then kill you anyway? What if you had a cyanide tooth? Would you use it?”

Zenia is fond of such interrogations. Usually they are based on fairly extreme scripts: what if you’d been on the Titanic, going down? Would you have elbowed and shoved, or stood back and drowned politely? What if you were starving, in an open boat, and one of the others died? Would you eat him? If so, would you push the others overboard so you could keep him all to yourself? She seems to have her own answers fairly firmly in place, though she does not always reveal them.

Despite the weightless corpses strewn about in her head, despite her graph-paper wars and the mass bloodshed she contemplates daily, Tony finds herself taken aback by such questions. They aren’t abstract problems – they’re too personal for that – and there are no correct solutions to them. But it would be a tactical error to let her dismay show. “Well, you’d never know, would

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