Robert Louis Stevenson [72]
- "and without the true sense of pleasurableness; and therefore really imperfect IN ESSENCE." Ah, it is to be feared that Stevenson, viewing it in retrospect, was a far truer critic of his own work, than many or most of his all too effusive and admiring critics - from Lord Rosebery to Mr Marriott Watson.
Amid the too extreme deliverances of detractors and especially of erewhile friends, become detractors or panegyrists, who disturb judgment by overzeal, which is often but half-blindness, it is pleasant to come on one who bears the balances in his hand, and will report faithfully as he has seen and felt, neither more nor less than what he holds is true. Mr Andrew Lang wrote an article in the MORNING POST of 16th December 1901, under the title "Literary Quarrels," in which, as I think, he fulfilled his part in midst of the talk about Mr Henley's regrettable attack on Stevenson.
"Without defending the character of a friend whom even now I almost daily miss, as that character was displayed in circumstances unknown to me, I think that I ought to speak of him as I found him. Perhaps our sympathy was mainly intellectual. Constantly do those who knew him desire to turn to him, to communicate with him, to share with him the pleasure of some idea, some little discovery about men or things in which he would have taken pleasure, increasing our own by the gaiety of his enjoyment, the brilliance of his appreciation. We may say, as Scott said at the grave of John Ballantyne, that he has taken with him half the sunlight out of our lives. That he was sympathetic and interested in the work of others (which I understand has been denied) I have reason to know. His work and mine lay far apart: mine, I think, we never discussed, I did not expect it to interest him. But in a fragmentary manuscript of his after his death I found the unlooked for and touching evidence of his kindness. Again, he once wrote to me from Samoa about the work of a friend of mine whom he had never met. His remarks were ideally judicious, a model of serviceable criticism. I found him chivalrous as an honest boy; brave, with an indomitable gaiety of courage; on the point of honour, a Sydney or a Bayard (so he seemed to me); that he was open-handed I have reason to believe; he took life 'with a frolic welcome.' That he was self-conscious, and saw himself as it were, from without; that he was fond of attitude (like his own brave admirals) he himself knew well, and I doubt not that he would laugh at himself and his habit of 'playing at' things after the fashion of childhood. Genius is the survival into maturity of the inspiration of childhood, and Stevenson is not the only genius who has retained from childhood something more than its inspiration. Other examples readily occur to the memory - in one way Byron, in another Tennyson. None of us is perfect: I do not want to erect an immaculate clay-cold image of a man, in marble or in sugar-candy. But I will say that I do not remember ever to have heard Mr Stevenson utter a word against any mortal, friend or foe. Even in a case where he had, or believed himself to have, received some wrong, his comment was merely humorous. Especially when very young, his dislike of respectability and of the BOURGEOIS (a literary tradition) led him to show a kind of contempt for virtues which, though certainly respectable, are no less certainly virtuous. He was then more or less seduced by the Bohemian legend, but he was intolerant of the fudge about the rights and privileges of genius. A man's first business, he thought, was 'keep his end up' by his work. If, what he reckoned his inspired work would not serve, then by something else. Of many virtues he was an ensample and an inspiring force. One foible I admit: the tendency to inopportune benevolence. Mr Graham Balfour says that if he fell into ill terms with a man he would try to do him good by stealth. Though he had seen much of the world and of men, this practice showed an invincible ignorance of
Amid the too extreme deliverances of detractors and especially of erewhile friends, become detractors or panegyrists, who disturb judgment by overzeal, which is often but half-blindness, it is pleasant to come on one who bears the balances in his hand, and will report faithfully as he has seen and felt, neither more nor less than what he holds is true. Mr Andrew Lang wrote an article in the MORNING POST of 16th December 1901, under the title "Literary Quarrels," in which, as I think, he fulfilled his part in midst of the talk about Mr Henley's regrettable attack on Stevenson.
"Without defending the character of a friend whom even now I almost daily miss, as that character was displayed in circumstances unknown to me, I think that I ought to speak of him as I found him. Perhaps our sympathy was mainly intellectual. Constantly do those who knew him desire to turn to him, to communicate with him, to share with him the pleasure of some idea, some little discovery about men or things in which he would have taken pleasure, increasing our own by the gaiety of his enjoyment, the brilliance of his appreciation. We may say, as Scott said at the grave of John Ballantyne, that he has taken with him half the sunlight out of our lives. That he was sympathetic and interested in the work of others (which I understand has been denied) I have reason to know. His work and mine lay far apart: mine, I think, we never discussed, I did not expect it to interest him. But in a fragmentary manuscript of his after his death I found the unlooked for and touching evidence of his kindness. Again, he once wrote to me from Samoa about the work of a friend of mine whom he had never met. His remarks were ideally judicious, a model of serviceable criticism. I found him chivalrous as an honest boy; brave, with an indomitable gaiety of courage; on the point of honour, a Sydney or a Bayard (so he seemed to me); that he was open-handed I have reason to believe; he took life 'with a frolic welcome.' That he was self-conscious, and saw himself as it were, from without; that he was fond of attitude (like his own brave admirals) he himself knew well, and I doubt not that he would laugh at himself and his habit of 'playing at' things after the fashion of childhood. Genius is the survival into maturity of the inspiration of childhood, and Stevenson is not the only genius who has retained from childhood something more than its inspiration. Other examples readily occur to the memory - in one way Byron, in another Tennyson. None of us is perfect: I do not want to erect an immaculate clay-cold image of a man, in marble or in sugar-candy. But I will say that I do not remember ever to have heard Mr Stevenson utter a word against any mortal, friend or foe. Even in a case where he had, or believed himself to have, received some wrong, his comment was merely humorous. Especially when very young, his dislike of respectability and of the BOURGEOIS (a literary tradition) led him to show a kind of contempt for virtues which, though certainly respectable, are no less certainly virtuous. He was then more or less seduced by the Bohemian legend, but he was intolerant of the fudge about the rights and privileges of genius. A man's first business, he thought, was 'keep his end up' by his work. If, what he reckoned his inspired work would not serve, then by something else. Of many virtues he was an ensample and an inspiring force. One foible I admit: the tendency to inopportune benevolence. Mr Graham Balfour says that if he fell into ill terms with a man he would try to do him good by stealth. Though he had seen much of the world and of men, this practice showed an invincible ignorance of