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Robert Redford - Michael Feeney Callan [248]

By Root 759 0
Jack Clayton, Liam Clancy, Julie Harris, Bradford Dillman, Hugh Hall, Mary Tyler Moore, Barry Levinson, Chick Vennera, Mike Nichols, Jeremy Larner, David Ward, Stephanie Phillips, Mike Dowd, Mike Frankfurt, Steve Frankfurt, Richard Altman, Michael Phillips, Julia Phillips, Garson Kanin, Tom DiCillo, Ken Brecher, Brent Beck, Fae Beck, Alex Beck, Jerry Hill, Mike Moder, Gary Beer, Richard Friedenberg, John Landis, David Cronenberg, Frank R. Pierson, Jeremy Kagan, Reg Gipson, Stuart Craig, Karen Tenkhoff, Susan Harmon, Hank Corwin, Tom Rolf, Freeman Davies, Thomas Newman, Gavin Lambert, Dan Melnick, Walter Coblenz, Chris Soldel, Manny Azenberg, Bryan Lourd, James Grady, Joanna Lumley, Gordon Bowen, Bob Crawford, Marion Dougherty, Harry Mastrogeorge, John Pierce, Pete Masterson, Carlin Masterson, John Adams of the Natural Resources Defense Council, Michael Nozik, Damon Pennington, Rubén Blades, Richard Ayres, Jack Brendlinger, Stan Collins, Mary Alice Collins, Conrad Hall, Cynthia Burke, David Rayfiel, Bernie Pollack, Gary Liddiard, Bunny Parker, Ian Calderon, Sherman Labby, Richard Schickel, Sterling Van Wagenen, Wayne Van Wagenen, Bill Bradley, Ted Wilson, George Peppard, James Coburn, Monique James, Rob Morrow, Debbie Slyne, Michael J. Reilly, Lou Marks, Marjorie Bird, Buddy Hoffman, Ben Young, Jo Sanchez, Robert Altman, Leslie Halliwell, Eric Gertz, Richard Brooks, Ron Greene, Jake Eberts, Ed Brown, Michael Daves, Bill Carver, Joan Claybrook, Jon Avnet, Ted Zachary, Rod Taylor, Penny Fuller and Yoko Ono.

Among the libraries and records offices consulted or visited were the Mugar Memorial Library at Boston University; the Connecticut State Library in Hartford; the Rhode Island Historical Society in Providence; the Manchester Central Library in England; the Manchester Register Office in Spinningfields; the General Register Office for Scotland in Edinburgh; the Foundation for Ancient Research and Mormon Studies in Provo, Utah; the Margaret Herrick Library of the Academy of Motion Picture Arts and Sciences in Los Angeles; the library of the Museum of Television and Radio (now the Paley Center for Media) in New York City; the archive at the Pratt Institute in Brooklyn; the library of the British Film Institute in London; the archive of the University of Colorado at Boulder (thank you, Jeannine Malmsberry and library technician Marty Conner Covey); the Federal Archives Library in Fort Worth, Texas; and Trinity College Library Dublin.

Also in Ireland, I must thank the ever-supportive Trina Stalley, Professor Roger Stalley, Professor Kevin Rockett of Trinity College’s drama, film and music department, Trinity College provost John Hegarty, Ian Condy (thank you for those overnight deliveries of New York newspapers), Dr. John Kelly, Shay Hennessy, Ray McGovern, Sean Simon, my inspirational sister, Jeannette and Jim Kearney, my great brothers Eamonn and Ron Callan and the wonderful Mae Ward, a special lady we loved who sadly passed away just before completion of this work. I must not forget Antony and Jay Worrall Thompson, who egged me on endlessly, or my business partner and friend, Olivier Capt (and Alma). Also, transcendently, Brian Wilson.

The nature of this book was accumulative as much as evaluative. Two leading players kept control of the flying pieces. They are Lois Smith of PMK, who introduced me to Robert Redford and was the project’s manager from its earliest days, and Wendy Hopkins, Redford’s Utah assistant, who fielded every query, promise and complaint and supplied mountains of FedEx packages to nourish me. I came to regard Wendy as my field guide.

Robert Redford was a gracious host. His generosity goes without saying, but his trust was the greater gift. Because of him, I had the opportunity to talk with Jamie Redford, Shauna Redford Schlosser, Amy Hart Redford and Sibylle Szaggars, and their candid insights proved invaluable.

For safe navigation of this book to its home between Knopf covers, I thank Sonny Mehta. I’m also indebted to the great Jonathan Segal, who honed a quarter of a million words into a manageable

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