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6 George Roy Hill was keen to adapt: Interview with George Roy Hill, September 4, 1995.
7 Six years before, Louella Parsons had allowed him: Louella O. Parsons, “Barefoot Boy Comes Home,” New York Journal American, May 30, 1965.
8 Laurence Luckinbill, writing for Esquire: Laurence Luckinbill, “Oh, You Sundance Kid!” Esquire, October 1970, 160.
9 Jerry Brown came to believe: Interview with Jeremy Larner, September 7, 1995.
10 Ritchie, whose capacity for intellectual theorizing: Interview with Michael Ritchie, September 4, 1995.
11 Carlson herself admitted to “schizophrenic” feelings: Bruce Bahrenburg, Filming “The Candidate” (New York: Warner, 1972), 94.
12 Robert Penn Warren once wrote: Ernest Hemingway, A Farewell to Arms, with an introduction by Robert Penn Warren (New York: Charles Scribner’s Sons, 1929), viii.
13 In 1968 Tiger died of heart failure: Obituary in The New London (Conn.) Day, February 29, 1968: “Waterford. Charles Elisha Redford, formerly of 35 Summer Street, died Wednesday at Waterford Convalescent Hospital.… He was the grandfather of actor Robert Redford.… Burial will be at River Bend Cemetery, Westerly.”
14 There was the well-circulated magazine report: “A California Hippie Claims, ‘Robert Redford Is My Husband!’ ” Movie Life, August 1970.
14. Idols
1 Stark commissioned an original script: Arthur Laurents, Original Story By: A Memoir of Broadway and Hollywood (New York: Alfred A. Knopf, 2000), 264.
2 In his memoirs Laurents reports: Ibid., 269.
3 Worst of all, said Pollack, Laurents had not: Interview with Sydney Pollack, September 1, 1995.
4 In a detailed correspondence, Trumbo analyzed: Correspondence from Dalton Trumbo to Sydney Pollack, undated, appended to the script of The Way We Were in Sydney Pollack’s script files at Mirage Productions, Paramount Studios, Los Angeles.
5 “The reason I have been so hung up on Hayden’s book”: Letter from Sydney Pollack to Dalton Trumbo, undated, appended to the script of The Way We Were in Sydney Pollack’s script files at Mirage Productions, Paramount Studios, Los Angeles.
6 “Katie: Doesn’t it make you angry”: From the unpublished screenplay The Way We Were, by Arthur Laurents.
7 “I just loved working with him”: Letter to the author from Barbra Streisand, August 2, 1996.
8 It had started in October 1970: Interview with David Ward, November 8, 1997.
9 George Roy Hill stormed into the office: Interview with George Roy Hill, June 12, 1995.
10 Four lawsuits were launched against The Sting: Interview with David Ward, November 8, 1997.
11 Evans wanted to gift the famous role: Robert Evans, The Kid Stays in the Picture (New York: Hyperion, 1994), 237.
12 Clayton’s vision for the movie was specific: Neil Sinyard, Jack Clayton (Manchester: Manchester University Press, 2000), 144.
13 Clayton wrote in his preparatory notes: Ibid., 146.
14 Bruce Bahrenburg, a writer: Bruce Bahrenburg, Filming “The Great Gatsby” (New York: Berkley Medallion, 1974), 248.
15 “Ultimately,” said Farrow, “[it] was a victim”: Mia Farrow, What Falls Away (New York: Doubleday, 1997), 174.
15. Watergate
1 CAN’s progress, says administrator Cynthia Burke: Interview with Cynthia Burke (Cynthia Stein during CAN era), August 28, 1998. Copies of CAN newsletters, undated, six- to eight-page features include, in issue 2, “All About Breads,” “Home Eco” (on recycling); in issue 7, “Cleaning Products: Good Clean Fun?” “A Note on Aerosols”; in issue 13,