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Robert Redford - Michael Feeney Callan [263]

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1995.

Morgan, Ted. Reds: McCarthyism in Twentieth-Century America. New York: Random House, 2003.

Murton, Thomas O. The Dilemma of Prison Reform. New York: Irvington, 1982.

Murton, Thomas O., and Joe Hyams. Accomplices to the Crime: The Arkansas Prison Scandal. New York: Grove Press, 1969.

Nash, Alanna. Golden Girl: The Story of Jessica Savitch. New York: Dutton, 1988.

Newman, Paul, and A. E. Hotchner. In Pursuit of the Common Good: Twenty-five Years of Improving the World, One Bottle of Salad Dressing at a Time. New York: Doubleday, 2005.

Nibley, Hugh W. Brigham Young on the Environment. Provo, Utah: FARMS, 1972.

Nichols, John. A Fragile Beauty. Salt Lake City: Peregrine Smith Books, 1987.

———. The Milagro Beanfield War. New York: Ballantine, 1976.

Nichols, John, and David Ward. “The Milagro Beanfield War.” Unpublished screenplay based on the novel by John Nichols. Sundance archive.

Nickens, Christopher, and Karen Swenson. The Films of Barbra Streisand. New York: Citadel Press, 2000.

O’Brien, Daniel. Paul Newman. London: Faber and Faber, 2004.

Olsen, Larry Dean. Outdoor Survival Skills. With a foreword by Robert Redford. Provo, Utah: Brigham Young University Press, 1974.

Owings, Margaret Wentworth. Voice from the Sea. With an introduction by Jane Goodall. Monterey, Calif.: Monterey Bay Aquarium Press, 1998.

Page, Suzanne, with Jake Page. A Celebration of Being: Photographs of the Hopi and Navajo. With an introduction by Robert Redford. Flagstaff, Ariz.: Northland, 1989.

Pfaff, Eugene E., Jr., and Mark Emerson. Meryl Streep: A Critical Biography. Jefferson, N.C.: McFarland, 1987.

Pfeiffer, Bruce Brooks. Frank Lloyd Wright: Taliesin West. New York: ADA Editions, 2002.

Pipkin, Turn, and Marshall Frech, eds. Barton Springs Eternal: The Soul of a City. Austin, Tex.: Softshoe, 1993.

Pirsig, Robert M. Lila: An Inquiry into Morals. London: Black Swan, 1992.

———. Zen and the Art of Motorcycle Maintenance. London: Bodley Head, 1974.

Postman, Neil. Amusing Ourselves to Death. London: Heinemann, 1985.

Pressfield, Steven. The Legend of Bagger Vance: A Novel of Golf and the Game of Life. New York: Morrow, 1995.

Ran, Ronald, and Luigi Scorcia. Acting Teachers of America: A Vital Tradition. With a foreword by J. Michael Miller. New York: Allworth Press, 2007.

Redford, Robert. The Outlaw Trail: A Journey Through Time. New York: Grosset and Dunlap, 1978.

———. “Search for Common Ground.” Harvard Business Review (May–June 1987): 108.

Rhode, Eric. A History of the Cinema: From Its Origins to 1970. London: Penguin, 1976.

Ritchie, Michael. Please Stand By: A Prehistory of Television. New York: Overlook Press, 1995.

Rose, Frank. The Agency. New York: Harper Business, 1995.

Rosenberg, Norman L., and Emily S. Rosenberg, In Our Times: America Since World War II. Englewood Cliffs, N.J.: Prentice Hall, 1976.

Rossen, Carol. Counterpunch. New York: Dutton, 1988.

Sahl, Mort. Heartland. New York: Harcourt Brace Jovanovich, 1976.

Salter, James. Burning the Days: Recollection. New York: Random House, 1997.

Sander, Gordon F. Serling: The Rise and Twilight of Television’s Last Angry Man. New York: Dutton, 1992.

Santopietro, Tom. The Importance of Being Barbra: The Brilliant, Tumultuous Career of Barbra Streisand. New York: Thomas Dunne Books, 2006.

Sargent, Alvin. “Ordinary People.” Unpublished screenplay based on the novel by Judith Guest. Sundance archive.

Sarris, Andrew. The American Cinema: Directors and Directions 1929–1968. New York: Da Capo Press, 1996.

Saunders, Dave. Direct Cinema: Observational Documentary and the Politics of the Sixties. New York: Wallflower Press, 2007.

Schatz, Thomas. The Genius of the System: Hollywood Filmmaking in the Studio Era. New York: Pantheon, 1989.

Schickel, Richard. The Disney Version: The Life, Times, Art and Commerce of Walt Disney. New York: Simon & Schuster, 1972.

Schlossmacher, Heidrun M. “Reinventing the Past: The Films Directed by Robert Redford.” Master’s thesis, Rutgers, The State University of New Jersey–Newark, 1998. By permission of Sundance archive.

Simon, Neil. Rewrites:

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