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Rome's Gothic Wars_ From the Third Century to Alaric - Michael Kulikowski [76]

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best. With that licence, he lured the Goths of Asia Minor into the cities and there had them massacred in the confines of urban streets from which they could not escape. Zosimus, moreover, suggests that these slaughtered Goths were not soldiers, but rather the teenage hostages who had been handed over to the Roman government in 376 to guarantee their parents’ good behaviour. Finally, Zosimus dates the massacre not to the immediate aftermath of Adrianople, but rather to 379.[171]

Although the patent contradiction between these accounts is often resolved by accepting Ammianus over Zosimus, additional evidence suggests an alternative.[172] Two sermons of Gregory of Nyssa, the younger brother of Basil of Caesarea, mention depredations by Scythians in Asia Minor in 379.[173] This corroboration of Zosimus points the way forward: Ammianus, for polemical purposes, has telescoped a long process into a single swift move by Julius, while Zosimus preserves the longer time frame and the sense of uncertainty that followed a battle which left no one in real control of the eastern empire. What probably happened is that Julius, knowing that there were Goths in the local army units as well as any number of young Gothic hostages of very nearly military age and prone like all teenage males to violence, decided to prevent any repetition of the Thracian debacle. He began with the forts in the frontier provinces – the castra mentioned by Ammianus – but his actions were either meant to, or interpreted as meaning to, prefigure a systematic massacre of Goths in the eastern provinces. As word spread, those Goths who were in a position to riot did so, and were killed in large numbers across Asia Minor and Syria.

The Accession of Theodosius


That so many – presumably quite innocent – Goths should have been done away with in this fashion emphasizes as nothing else can the scale of the dangers, and also the scale of the confusion. For us, looking back dispassionately and trying to work out what happened, it is easy to forget how hopeless of repair the whole situation must have seemed. But we can only explain the failure of Gratian and his generals to coordinate a systematic response if we remember the depth of the shock that Adrianople caused. Rather than system or coordination, survivors switched to habitual, automatic responses to deal with the crisis. We have seen this already with the response of Julius and, presumably, other eastern officials as well. Most of them carried on doing what they normally did, the state continuing to function without any clear notion of what it was continuing for. Gratian’s immediate reaction was a similarly conditioned response: with the Balkans in chaos and the Goths running riot, he turned not to the immediate problem, but rather to the Alamanni, a foe that was always worth fighting and against whom he had a reasonable chance of success. As we saw, some Alamanni had attacked Gaul the minute they heard that Gratian intended to march east.[174] Given Valens’ catastrophic failure, Gratian must have felt it necessary to hurry back to the West lest equivalent disaster strike there.

Into this vacuum stepped Theodosius, a thirty-three-year-old Spanish aristocrat and the son of one of Valentinian I’s great generals, also named Theodosius. The younger Theodosius would go on to become augustus and, as with all emperors, our sources are coloured by retrospective judgements. Just as Valens was indelibly marked by the catastrophe of Adrianople, so Theodosius was forever after associated with the defence of Nicene orthodoxy and the suppression of paganism. In the ecclesiastical histories of the fifth century, Theodosius became Theodosius the Great, a name which he still bears in the casual usage of modern historians. The appellation was bestowed more for his pliability in theological matters than for any signal achievements in public policy, but the image of greatness seeped into every other corner of his reign as well. Thus a recent biography of Theodosius is subtitled ‘the empire at bay’, conjuring the image of a wounded

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