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Rome's Gothic Wars_ From the Third Century to Alaric - Michael Kulikowski [9]

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the Boranoi had damaged sites like Pityus and Trapezus that were easily accessible from the sea, the attacks of the third year reached deep into the provinces of Pontus and Bithynia, affecting famous centres of Greek culture like Prusa and Apamea, and major administrative sites like Nicomedia.[8] A letter by Gregory Thaumaturgus – the ‘Wonderworker’ – casts unexpected light on these attacks. Gregory was bishop of Neocaesarea, a large city in the province of Pontus, and his letter sets out to answer the questions church leaders must confront in the face of war’s calamities: can the good Christian still pray with a woman who has been kidnapped and raped by barbarians? Should those who use the invasions as cover to loot their neighbours’ property be excommunicated? What about those who simply appropriate the belongings of those who have disappeared? Those who seize prisoners who have escaped their barbarian captors and put them to work? Or, worse still, those who ‘have been enrolled amongst the barbarians, forgetting that they were men of Pontus and Christians’, those, in other words, who have ‘become Goths and Boradoi to others’ because ‘the Boradoi and Goths have committed acts of war upon them’.[9]

Ten years later, these assaults were repeated. Cities around the coast of the Black Sea were assaulted, not just those on the coast of Asia Minor, but Balkan sites like Tomi and Marcianople. With skillful seamanship, a barbarian fleet was able to pass from the Black Sea into the Aegean, carrying out lightning raids on islands as far south as Cyprus and Rhodes. Landings on the Aegean coasts of mainland Greece led to fighting around Thessalonica and in Attica, where Athens was besieged but defended successfully by the historian Dexippus, who would later write an account of these Gothic wars called the Scythica.[10] Though only fragments of this work survive, Dexippus was a major source for the fifth- or early sixth-century New History of Zosimus, which survives in full and is now our best evidence for the third-century Gothic wars. As Zosimus shows us, several imperial generals and emperors – Gallienus, his general Aureolus, the emperors Claudius and Aurelian – launched counterattacks which eventually brought this phase of Gothic violence to an end. Gothic defeat in 268 ended the northern Greek raids, while Claudius won a smashing and much celebrated victory at Naissus, modern Niš, in 270.[11]

Aurelian and a Problematic Source


In 271, after another Gothic raid across the Danube had ended in the sack of several Balkan cities, the emperor Aurelian (r. 270–275) launched an assault across the river that probably had considerable success. Aurelian was an extremely capable soldier, and one who spent his five-year reign in continuous motion from one end of the empire to the other, rarely out of the saddle, and rarely pausing between campaigns. A Gothic war is entirely in keeping with the evidence for Aurelian’s movements, and a late fourth-century collection of imperial biographies which we call the Historia Augusta records that Aurelian defeated and captured a Gothic king named Cannobaudes.[12] Here, however, we run into the sort of problem with the sources that we will encounter more than once in the pages that follow. The Historia Augusta is the only Latin source we have for large chunks of third-century history, and even where it refers to events known from Greek historians, it often preserves details that they do not. If it could be trusted, its circumstantial and anecdotal content would be invaluable. Unfortunately, the whole work is heavily fictionalized, its anonymous author sometimes using older – and now lost – texts as a jumping off point for invention, sometimes making things up out of thin air. The biographies of late third-century emperors are the least reliable part of the work, and some of them contain no factual data at all. For that reason, even though he appears in many modern histories of the Goths, we cannot be entirely sure that this Gothic Cannobaudes was a real historical figure.

In this case, however,

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