Ronald Rabbit Is a Dirty Old Man - Lawrence Block [40]
By now I trust you are settled in for the summer with your folks. I hope the painting is going well, and that the rest of the situation is not as bad as you thought it might be.
I also trust you remember I said I would write you c/o General Delivery. I’m also marking the envelope “Hold for Pickup” to prevent some over-zealous postmaster from taking matters into his own hands. I know you’re positive your parents wouldn’t open your mail. But why tempt fate? At the least, you would have to invent something when they asked you who the letter was from. I’ve always found that it pays to tell the truth whenever possible. Since it’s rarely possible, the idea is to minimize situations in which lying becomes necessary.
May I offer some unsolicited advice? It is, after all, one of the prerogatives of old age. If you’re not in the mood, just skip the following paragraph.
Here goes. The thing is, it looks as though you’re pretty sure to have a shitty summer. I wish you just the opposite, but in view of your intrafamily conflicts and your particular social role in Hicksville (and in view of Hicksville itself, which certainly must live up to its name) you and I both know that an idyllic summer is less than likely.
You may be tempted to try to work out some of these conflicts, to try to open things up and assert yourself a little. This sounds like an invitation to cop out, but I think you should, well, cop out. There’s no way you can really resolve anything, and if you try you’ll just make yourself (and everybody else) still more miserable. A vital part of the whole maturation process is learning when to cop out, and this is one of those times.
Take the frustration and put it into your painting. It’s very important to develop a creative means of getting accumulations of garbage out of your head. I do it with a typewriter. You learned a long time ago to do it in paint, and you have the advantage of producing something beautiful, while all I do is write silly letters. Stay with it, Alison. Paint like a madwoman. I think you’re phenomenally talented, for whatever it’s worth.
Things have been generally good for me lately. As you can see from the return address, I’m still living with Rozanne. She knows you were here that day, by the way, and is perfectly agreeable about that sort of thing.
Have a good summer, kid. I envy you all that fresh air and sunshine. But New York does have its compensations, as you well know.
At least you’ll be able to get away from time to time. Whenever you get a chance to come into the city, please do. You can always stay overnight at our place. Rozanne is anxious to meet you.
Madly and poetically,
Larry
24
WHITESTONE PUBLICATIONS, INC.
67 West 44th Street
New York 10036
From the desk of Clayton Finch, President
July 15
Mr. George Ribbentraub
Ribbentraub Realty Corp.
414 East 14th Street
New York 10003
Dear Mr. Ribbentraub:
Mr. Hector Carbo has given your name as a reference, and I would greatly appreciate your giving me any pertinent information on the man’s employment record with you, plus any general remarks you might care to offer concerning his character and personal habits.
The post for which Mr. Carbo is under consideration carries a considerable load of executive responsibility and calls for keen all-around judgment and accomplished editorial skills. Should we decide to employ Mr. Carbo, he will take the helm of Rachel Rabbit’s Magazine for Girls and Boys. This publication, while essentially a revamped version of a proven success, is in other respects a new venture entirely, oriented as it is towards Women’s Liberation for the junior set. We feel very strongly about its potential, not only as a highly marketable item but as one which may beneficially influence contemporary American culture.
In this light, I would appreciate any information which may reflect on Mr. Carbo’s suitability or lack thereof.
Warmest regards,
Clayton Finch
CF/rg
25
WHITESTONE PUBLICATIONS, INC.
67 West 44th Street
New York 10036
From the desk of Clayton