Roots_ The Saga of an American Family - Alex Haley [6]
Finally the hot skies clouded, the light breezes became brisk winds and, abruptly as always, the little rains began, falling warmly and gently as the farmers hoed the softened earth into long, straight rows in readiness for the seeds. They knew the planting must be done before the big rains came.
The next few mornings, after breakfast, instead of canoeing to their rice fields, the farmers’ wives dressed in the traditional fertility costumes of large fresh leaves, symbolizing the green of growing things, and set out for the furrowed fields of the men. Their voices would be heard rising and falling even before they appeared as they chanted ancestral prayers that the couscous and groundnuts and other seeds in the earthen bowls balanced on their heads would take strong roots and grow.
With their bare feet moving in step, the line of women walked and sang three times around every farmer’s field. Then they separated, and each woman fell in behind a farmer as he moved along each row, punching a hole in the earth every few inches with his big toe. Into each hole a woman dropped a seed, covered it over with her own big toe, and then moved on. The women worked even harder than the men, for they not only had to help their husbands but also tend both the rice fields and the vegetable gardens they cultivated near their kitchens.
While Binta planted her onions, yams, gourds, cassava, and bitter tomatoes, little Kunta spent his days romping under the watchful eyes of the several old grandmothers who took care of all the children of Juffure who belonged to the first kafo, which included those under five rains in age. The boys and girls alike scampered about as naked as young animals—some of them just beginning to say their first words. All, like Kunta, were growing fast, laughing and squealing as they ran after each other around the giant trunk of the village baobab, played hide-and-seek, and scattered the dogs and chickens into masses of fur and feathers.
But all the children—even those as small as Kunta—would quickly scramble to sit still and quiet when the telling of a story was promised by one of the old grandmothers. Though unable yet to understand many of the words, Kunta would watch with wide eyes as the old women acted out their stories with such gestures and noises that they really seemed to be happening.
As little as he was, Kunta was already familiar with some of the stories that his own Grandma Yaisa had told to him alone when he had been visiting in her hut. But along with his first-kafo playmates, he felt that the best storyteller of all was the beloved, mysterious, and peculiar old Nyo Boto. Bald-headed, deeply wrinkled, as black as the bottom of a cooking pot, with her long lemongrass-root chewstick sticking out like an insect’s feeler between the few teeth she had left—which were deep orange from the countless kola nuts she had gnawed on—old Nyo Boto would settle herself with much grunting on her low stool. Though she acted gruff, the children knew that she loved them as if they were her own, which she claimed they all were.
Surrounded by them, she would growl, “Let me tell a story ... ”
“Please!” the children would chorus, wriggling in anticipation.
And she would begin in the way that all Mandinka storytellers began: “At this certain time, in this certain village, lived this certain person.” It was a small boy, she said, of about their rains, who walked to the riverbank