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Rough Guide to Vietnam - Jan Dodd [86]

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erected around Saigon in the mid-Sixties, they evacuated villagers into strategic hamlets and then used defoliant sprays and bulldozers to rob the VC of cover, in “scorched earth” operations such as January 1967’s Cedar Falls. Even then, tunnels were rarely effectively destroyed – one soldier at the time compared the task to “fill[ing] the Grand Canyon with a pitchfork”. GIs would lob down gas or grenades or else go down themselves, armed only with a torch, a knife and a pistol. Die-hard soldiers who specialized in these underground raids came to be known as tunnel rats, their unofficial insignia Insigni Non Gratum Anus Rodentum, meaning “not worth a rat’s arse”. Booby-traps made of sharpened bamboo stakes awaited them in the dark, as well as “bombs” made from Coke cans and dud bullets found on the surface. Tunnels were low and narrow, and entrances so small that GIs often couldn’t get down them, even if they could locate them. Maverick war correspondent Wilfred Burchett, travelling with the NLF in 1964, found his Western girth a distinct impediment: “On another occasion I got stuck passing from one tunnel section to another. In what seemed a dead end, a rectangular plug was pulled out from the other side, and, with some ahead pulling my arms and some pushing my buttocks from behind, I managed to get through…I was transferred to another tunnel entrance built especially to accommodate a bulky unit cook.”

Another American tactic aimed at weakening the resolve of the VC guerrillas involved dropping leaflets and broadcasting bulletins that played on the fighters’ fears and loneliness. Although this prompted numerous desertions, the tunnellers were still able to mastermind the Tet Offensive of 1968. Ultimately, the Americans resorted to more strong-arm tactics to neutralize the tunnels, sending in the B52s freed by the cessation of bombing of the North in 1968 to level the district with carpet bombing. The VC’s infrastructure was decimated by Tet, and further weakened by the Phoenix Programme. By this time, though, the tunnels had played their part in proving to America that the war was unwinnable. At least 12,000 Vietnamese guerrillas and sympathizers are thought to have perished here during the American War, and the terrain was laid waste – pockmarked by bomb craters, devoid of vegetation, the air poisoned by lingering fumes.

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Ho Chi Minh City and around | Around Ho Chi Minh City | The Cao Dai Holy See at Tay Ninh |

The Great Temple


A grand gateway marks the entrance to the grounds of the 1927-built Cao Dai Great Temple. Beyond it, a wide boulevard escorts you past a swathe of grassland used on ceremonial occasions, to the wildly exotic temple itself, over whose left shoulder rises distant Nui Ba Den, Black Lady Mountain.

On first sighting, the Great Temple seems to be subsiding, an optical illusion created by the rising steps inside it, but your first impressions are more likely to be dominated by what Graham Greene described as a “Walt Disney fantasia of the East, dragons and snakes in Technicolor”. Despite its Day-Glo hues and rococo clutter, this gaudy construction somehow manages to bypass tackiness. Two square, pagoda-style towers bookend the front facade, whose central portico is topped by a bowed, first-floor balcony and a Divine Eye. The most recurrent motif in the temple, the eye, is surrounded by a triangle, as it is on the American one-dollar bill. A figure in semi-relief emerges from each tower: on the left is Cao Dai’s first female cardinal, Lam Huong Thanh, and on the right, Le Van Trung, its first pope.

The eclectic ideology of Cao Dai is mirrored in the interior. Part cathedral and part pagoda, it draws together a potpourri of icons and elements under a vaulted ceiling, and daubs them all with the primary colours of a Hindu temple. Men enter the cathedral through an entrance in the right wall, women by a door to the left, and all must take off their shoes. Inside the lobby, a mural shows the three “signatories of the 3rd Alliance between God and Mankind”: French poet Victor Hugo and the

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