Roundabout Papers [74]
goes to fetch the penny ice. Malheureux! The chair sinks down with you--sinks, and sinks, and sinks--a large wet flannel suddenly envelopes your face and throttles you. Need we say any more? After Northumberland Street, what is improbable? Surely there is no difficulty in crediting Bluebeard. I withdraw my last month's opinions about ogres. Ogres? Why not? I protest I have seldom contemplated anything more terribly ludicrous than this "agent" in the dingy splendor of his den, surrounded by dusty ormolu and piles of empty bottles, firing pistols for his diversion at the mantel-piece until his clients come in! Is pistol-practice so common in Northumberland Street, that it passes without notice in the lodging-houses there? We spake anon of good thoughts. About bad thoughts? Is there some Northumberland Street chamber in your heart and mine, friend: close to the every-day street of life visited by daily friends: visited by people on business; in which affairs are transacted; jokes are uttered; wine is drunk; through which people come and go; wives and children pass; and in which murder sits unseen until the terrible moment when he rises up and kills? A farmer, say, has a gun over the mantel-piece in his room where he sits at his daily meals and rest: caressing his children, joking with his friends, smoking his pipe in his calm. One night the gun is taken down: the farmer goes out: and it is a murderer who comes back and puts the piece up and drinks by that fireside. Was he a murderer yesterday when he was tossing the baby on his knee, and when his hands were playing with his little girl's yellow hair? Yesterday there was no blood on them at all: they were shaken by honest men: have done many a kind act in their time very likely. He leans his head on one of them, the wife comes in with her anxious looks of welcome, the children are prattling as they did yesterday round the father's knee at the fire, and Cain is sitting by the embers, and Abel lies dead on the moor. Think of the gulf between now and yesterday. Oh, yesterday! Oh, the days when those two loved each other and said their prayers side by side! He goes to sleep, perhaps, and dreams that his brother is alive. Be true, O dream! Let him live in dreams, and wake no more. Be undone, O crime, O crime! But the sun rises: and the officers of conscience come: and yonder lies the body on the moor. I happened to pass, and looked at the Northumberland Street house the other day. A few loiterers were gazing up at the dingy windows. A plain ordinary face of a house enough--and in a chamber in it one man suddenly rose up, pistol in hand, to slaughter another. Have you ever killed any one in your thoughts? Has your heart compassed any man's death? In your mind, have you ever taken a brand from the altar, and slain your brother? How many plain ordinary faces of men do we look at, unknowing of murder behind those eyes? Lucky for you and me, brother, that we have good thoughts unspoken. But the bad ones? I tell you that the sight of those blank windows in Northumberland Street--through which, as it were, my mind could picture the awful tragedy glimmering behind--set me thinking, "Mr. Street-Preacher, here is a text for one of your pavement sermons. But it is too glum and serious. You eschew dark thoughts: and desire to be cheerful and merry in the main." And, such being the case, you see we must have no Roundabout Essay on this subject. Well, I had another arrow in my quiver. (So, you know, had William Tell a bolt for his son, the apple of his eye; and a shaft for Gessler, in case William came to any trouble with the first poor little target.) And this, I must tell you, was to have been a rare Roundabout performance--one of the very best that has ever appeared in this series. It was to have contained all the deep pathos of Addison; the logical precision of Rabelais; the childlike playfulness of Swift; the manly stoicism of Sterne; the metaphysical depth of Goldsmith; the blushing modesty of Fielding; the epigrammatic terseness of Walter Scott; the