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Rule 34 - Charles Stross [147]

By Root 1082 0
to the Appleton Tower murder: This is probably the same perp.”

“Control here, please hold.” Blue FLASH alerts begin to scroll up your CopSpace log, going out to every soul on the police net within a couple of kilometres. Seconds later, you hear sirens in the distance. “I’m proceeding with that, Inspector. Is there a warrant?”

“Real-time response.” The paper-work mountain that’s about to hit you would cause your desk to collapse if it wasn’t entirely digital. You begin to climb the stairs to the second floor: “We have an ABH and attempted murder victim here; please confirm second ambulance.”

Hussein is sitting up, leaning against the wall beside an open bedroom door. There are children’s toys scattered on the floor, an unmade bed. His eyes are half-closed. After a moment, you clock that he’s weeping quietly.

You squat down in front of him. “Mr. Hussein. Anwar.” He shows no sign of noticing, which is probably no surprise: Probably in shock, you figure. You bring up the check-list, tell your specs to run a body-temperature scan, but he’s not looking particularly cold, and his respiration’s within spitting distance of normal. “Can you talk to me?”

His shoulders shake. “The man who was here.” Body posture: utter desolation. “Who is he?”

Hussein shudders. “Colonel Datka’s man.”

Who? You focus. “Colonel who?”

“Said he worked for Colonel Datka.”

Right . . . “Who is Colonel Datka?”

Anwar takes a deep breath and looks at you. “I am the honorary consul of the Independent Republic of Issyk-Kulistan. Was. Told him I’d resigned, but he wouldn’t listen. Colonel Datka works for Kyrgyzstan. Police, or spy, or something. The bad man. Calls himself Christie, came to take some papers from me—another passport. Says he’s Peter Manuel. Left his suitcase with me.”

Suitcase? This is making less and less sense, but in your experience these things seldom do when they begin to unravel. “What about the suitcase?” you ask, hoping this is going somewhere.

“Bibi opened it.” He closes his eyes. “Then she left me.” His shoulders shake again. “She thought I would have something like that! The shame.”

“Hang on a minute,” you tell him. Then you open a voice channel back to ICIU. “Moxie? Can you run a search for me? Multiple names: Colonel Datka, Kyrgyzstan. Issyk-Kulistan. Then Peter Manuel, alternate identity, John Christie.”

Sirens getting louder, then cut off abruptly. Voices downstairs.

“I’m looking, skipper. How do you spell those?”

“How should I know? Try soundex.” You look at Anwar, who is snuffling damply into his moustache. Bibi is his wife? But if he was also hanging out with Adam MacDonald on a gay hookup site . . . “It’s related to BABYLON and the Appleton Tower killing, and you can dial it up to eleven. I’m going to put you on hold now.”

You turn back to your victim: “It’s going to be alright, Anwar. There’s an ambulance coming, and we’d like to ask you some more questions. While Christie or Manuel or whoever is on the run, we’re going to want to keep you in protective custody. Do you understand? Christie was . . .” You nod towards the trap-door. “Wasn’t he?”

Hussein’s expression would be enough for you, even before he opens his mouth. “He was going to kill me!” he says, his voice rising to a squeak.

“Right after your wife left you,” you point out, wincing at a twinge from your headache. Anwar just raised a very interesting point, and one that suggests a significant difference in planning between this and the scene back at Appleton Tower: “Been working up to this for a while, hasn’t he?”

Anwar nods. “Well, tell you what. After the ambulance crew check you out, you can come down to the station and tell me all about it. Then we’ll find somewhere safe for you to stay”—most likely a station cell, but you don’t want to frighten him right now—“until we’ve caught Christie.”

Then there is a thudding of boots on stairs as your backup finally arrives, and you breathe a sigh of relief.

It’s nearly all over, you think. And then it is.

FELIX: Hummingbird

The phone rings for you in midafternoon.

It’s a particularly grotesque piece

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