Run - Blake Crouch [111]
HW: Has having children changed the way you look at your writing? Your subject matter? Do you ever pause and think, I guess my kids won’t be able to read that until they’re older?
BC: Abandon was the first thing I wrote after my son was born, and being a father for the first time and that new relationship and life-altering love couldn’t help but find its way into this work. Parent-child relationships definitely constitute a significant aspect of Abandon. And yeah, there’s no way my kids will be able to read my first two books until they’re at least seven or eight (kidding).
HW: Who is your first reader?
BC: My wife.
HW: What’s your favorite procrastination technique to avoid writing?
BC: Playing my acoustic guitar.
HW: Now that you’re in the business, do you find as much time to read as before? Do you avoid fiction for fear of unconsciously copying someone’s stories?
BC: I read more now than ever. You have to. I’ve never avoided fiction for fear of unconsciously copying someone else’s stories. You can’t help but be influenced by the work of others. No one is unique. As Cormac McCarthy said, “The sad truth is that books are made of other books.”
HW: I happen to know you’ve written an essay about Jack Ketchum’s Off Season for the upcoming International Thrillers Writers project Thrillers: 100 Must Reads. Was that format difficult for you? Did the experience provide you with any special insights into your own writings, or into thrillers in general?
BC: It was the hardest thing I’d written all year. I felt like I was in college again working on a term paper. That being said, it was a great joy to delve into the life and work of Jack Ketchum. I had great editors on that project. (HW: Full disclosure time: the editors for that worthy project are the esteemed David Morrell and yours truly. End of plug.)
HW: Tell us a little about future projects. You have a short story slated to appear in the ITW anthology, Thrillers 2?
BC: Yep, it’s called “Remaking” and also happens to be set in a beautiful Colorado town called Ouray. It’s premised on a question: What would you do if you were in a coffee shop, saw a man sitting with a young boy, and suspected the boy wasn’t supposed to be with him, that maybe he’d been kidnapped. I’m over the moon and humbled to be included in such a stellar collection of writers. Joe Konrath and I have just released a free short story as an eBook with the help of our publishers. It’s kind of groundbreaking, both in how Joe and I collaborated, and how our publishers came together to make it available everywhere. It’s called “Serial”, and is probably the most twisted thing either of us have ever written. The Abandon audiobook will have a short story that I read called “On the Good, Red Road,” and finally Jen Jordan’s new anthology, Uncage Me, publishes in July, and I have a story in that one called “*69.”
HW: Are you working on a new novel at the moment?
BC: I am.
HW: Where are you in that process?
BC: About a hundred pages in.
HW: Can you talk a little about the new book, or would that jinx things?
BC: I’m pretty sure I would deeply regret talking about it at this point. I find if I talk too much about works-in-progress, it takes the wind out of my sails.
HW: Any book recommendations?
BC: Joe Konrath just published a novel under the name Jack Kilborn. It’s called Afraid, and I think it’s one of the best pieces of horror fiction to come out in recent memory.
HW: Work uniform?
BC: A white tee-shirt and pajama bottoms with snowflakes on them. I know, it’s awful.
HW: Misconceptions about people who graduated from UNC?
BC: That if by some rip in the space-time continuum, Al-Qaeda managed to get a Division I college basketball team together, and if