Russka - Edward Rutherfurd [35]
Igor served the Prince of Kiev himself. Indeed, he was almost in the inner council. Ivanushka’s brothers, too, were already in the outer druzhina, although Boris was still only a page; and it thrilled Ivanushka to think that soon he too would follow them.
‘Dismount!’ His father’s curt voice cut into the boy’s reverie and he started. They had only gone a few hundred yards, but Igor had already swung out of his saddle and was striding away; and as Ivanushka looked up, he saw why. They had reached the cathedral. He sighed. He dreaded the cathedral.
The walled citadel of Yaroslav the Wise contained many fine buildings. Besides the handsome wooden houses of the nobles, there were monasteries, churches, schools, and a splendid gateway – the Golden Gate – built in stone. This gateway was especially fine because on top of it, soaring up into the sky, stood the little golden-domed Church of the Annunciation. But nowhere in all the lands of Rus was there anything as magnificent as the great cathedral that rose before him now. For just as his father, the Blessed Vladimir, had built his great Church of the Tithes in the old citadel, so Yaroslav had begun his own huge cathedral in the new one.
He called it St Sophia: what other name would do, when everyone knew that the greatest church in the Eastern Roman Empire, the seat of the Patriarch in Constantinople, bore that sacred name? St Sophia, the Holy Wisdom of the Greeks.
For though this new northern nation might proudly declare, ‘We are the Rus,’ it was the civilization of the Greeks that they copied. The senior priests were mostly Greek. Even the one Slav, the mighty preacher who had headed the Russian Church a decade ago, had taken the Greek name of Hilarion. When noble children were baptized, they took a second, Christian name to complement the Slav or Scandinavian names they mostly bore. Thus a Yaroslav or a Boris would also carry a Christian name like Andrei, Dimitri, Alexander or Constantine. And all these names were Greek.
How huge the cathedral was. It was built of red granite, laid in long thin strips and fixed with almost equal layers of pink cement. It rose up a massive, rather square, red and pink block, a holy fortress designed to impress upon all the people the might of the newly adopted Christian God. Upon its centre sat a great burnished dome, in the shape of a flattened helmet – like that of the church in Constantinople – and around it were grouped twelve smaller domes. ‘They stand for Our Lord and the twelve disciples,’ Igor had told his son. The cathedral was almost finished. Only a small scaffolding on one side showed where work was still being done on the outside staircases. With a shiver Ivanushka stepped inside.
If the outside was like a fortress, the high, broad, gloomy spaces within seemed as vast as the universe. In the manner of the great churches of the Roman Empire, it proceeded from west to east in a broad line of five naves – a wide central nave, with two more on each side. At the eastern end were five semi-circular apses. At the western end, high above the floor, were galleries where the princes and their courtiers gathered to pray, looking down upon the people. And at the centre of the church, under the huge dome, was the great airy space where the priests in their shining vestments stood before the congregation and heaven met the earth.
But it was not the high dome, nor the five naves, nor the massive columns that dominated the cavernous interior. It was the mosaics.
They made Ivanushka tremble. From floor to distant ceiling they covered the walls. The Blessed Virgin with hands outstretched in the eastern attitude of prayer; the Fathers of the Church; the Annunciation; the Eucharist: in blues and browns, in reds and greens, against the background of shining gold, these awesome, august figures