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Russka - Edward Rutherfurd [403]

By Root 3310 0
She had been a little girl when Nicolai Bobrov went away to school and the landlord’s son was hardly more than a name to her. He was handsome, she thought, with his neatly trimmed moustache and beard and his bright blue eyes. Very handsome. But his friend with the ginger hair was different: she did not know what to make of him. He didn’t say much to Natalia and her family, leaving Nicolai to do the talking, and Natalia decided he must belong to some class of person that she had never seen before. Still, she considered, he’s nothing to do with me. She had other things to think about.

Especially Grigory.

Natalia loved her family. She did not want to hurt them. But when Boris said he was moving out, something had snapped inside her. She felt suddenly very lonely. She knew her father and mother needed her; yet when the previous evening Timofei had told her, as she feared, that she might have to go to the factory, she couldn’t help feeling resentful. If I do that for them, she decided, then I want something to make me happy too. Strangely, that meant Grigory.

Why him? The fact was, her prospects in the village were not good. The Romanovs were poor: with this new baby, her father certainly had nothing to give her as a dowry. And as she wasn’t a particular beauty, she would be lucky to get one of the better village boys. But in any case, it was the little fellow in the factory, with his sly wit, who had captivated her. There was something about him, an inner drive, that fascinated her. None of the village boys had that. When they had first struck up an acquaintance, she had started to teach him to read, and been astonished by his quickness. He did not seem to study things like other people: he attacked each subject, devouring it ferociously until he had mastered it. He’s like a tiger, she thought wonderingly. And yet, he was also vulnerable: he needed looking after. It was a combination she found attractive, compelling; and by the spring she had concluded: He may not be perfect, but there is no other man on earth like this.

Her plan was simple enough: Either he can come and live with us in the village, and then there’ll be two wages to bring home. Or if they won’t take him in, then I’ll go and live with him in Russka and they’ll get nothing. It was a way of asserting her independence, at least.

And so, all day, while Nicolai and Popov worked with her father, she thought about him.

She was quite surprised when, at dusk, Nicolai announced that he and his friend would be back again the following morning.

Nicolai was pleased. The first day had gone well. Yevgeny seemed to be satisfied too. We’ll get their confidence,’ he said. ‘But remember,’ he added sternly, ‘we mustn’t say anything for the time being. That’s the plan.’

‘Of course.’ The plan was everything.

How lucky he was, Nicolai thought, to be with Popov. Admittedly, he could sometimes be rather mysterious, so that you felt he was withholding information; but he seemed so certain about things, so definite. And now they were partners in this all-important business. He supposed that, one day, their names might even be listed with the others in the history books.

Meanwhile, he was looking forward to this evening. He had seen Yevgeny in action many times, and he wondered with amusement what his friend would do to his parents.

As Misha Bobrov waited in the salon for the two young men to come down for supper, he tried to conceal his excitement.

Not only did he long to find out what they were up to, but, as he told his wife: ‘You can be sure we have a great many things to discuss.’ He believed that he would give a good account of himself. Indeed, he thought that the students might be rather impressed.

The salon was a long, pleasant room, simply furnished with chairs and sofas of French design, and was graced with heavy blue curtains, parted at the centre and tied at the sides with large tassels. A fine mahogany glass-fronted bookcase, its decorative panels carved in the shape of classical lyres, stood handsomely at the far end of the room; on the mantel over the fire, a

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