Russka - Edward Rutherfurd [467]
She knew every painting in the great house. There were the contemporary Russians – wonderful natural evocations of the country by Repin, Surikov, Seron, Levitan. Levitan had done a huge landscape of Russka – a haunting vision of the little town on its high bank, seen from across the river under a deep blue sky full of retreating clouds. In the dining room hung portraits of her mother by Repin and her father by Vrubel. But her greatest delight was to take visitors through the rooms reserved for Vladimir’s collection of European painters, which was dazzling; and middle-aged Russians who were scarcely familiar with such wonders themselves would be astonished as she prattled: ‘This is a Monet; here’s Cézanne. Renoir’s nudes always seem to have the same two faces, don’t you think?’ Or: ‘This is by Gauguin. He ran away from his wife and children and went to live in Tahiti,’ On his last trip to Paris, her father had even brought back small pictures by two new artists: Picasso and Matisse. ‘These are just getting started, so I bought them for you,’ he had told her.
Vladimir delighted in taking this bright little person with him and showing her his world. As a patron of the arts he went everywhere and knew everyone. Already she had been to St Petersburg and seen the great Pavlova dance; she had visited the great Tolstoy at his Moscow house; at the Moscow Arts Theatre, which Vladimir helped support, she knew all the actors and had even met the playwright Chekhov. When she had been unimpressed by this modest man with his pince-nez, compared to the leonine figure of the great novelist, her father had told her: ‘Never judge by appearances, Nadezhda. For Chekhov is great also. It’s what people do that matters.’ Which had caused her several times to demand, quite innocently, of distinguished old gentlemen visiting the house: ‘Now tell me, Ivan Ivanovich, what exactly you have done’ – to their great confusion and Vladimir’s huge amusement.
Only one thing puzzled little Nadezhda. Why was her mother often cool towards her father? To the outside world they seemed devoted, but the sharp-eyed child knew better. It was her, not her mother, that Vladimir took out: she had watched him approach his wife in private and had seen her gracefully drawing away. It was very strange. And no wonder therefore if the girl considered: I should look after him better.
It was now, having finished her letter, that Mrs Suvorin turned and stood up.
She was indeed a striking woman. With her tall, powerful body, her head thrown proudly back and her brown eyes gazing, apparently, down upon the world, she seemed more like a member of one of the princely families than a merchant’s wife. When men looked at Mrs Suvorin however – as they always did – it was the fine points of colour on her cheeks, the creamy flesh of her wonderful, sloping shoulders, her splendid, rather low breasts that they noticed, while becoming instantly conscious of the powerful, controlled sensuousness that her elegance did not trouble to conceal. If she’d let me, strong men thought, I could make that body glow; while others, less certain of themselves, could only muse: Now that, my God, would take a proper man. A few, more poetic, thought they saw in those proud eyes a hint of sadness; but then, watching her in her drawing room, it was hard to know whether this might not be just an element of her art. One thing in any case was certain: Mrs Suvorin was in full bloom of her maturity.
As she rose, Mrs Suvorin noticed Nadezhda’s eyes fixed upon her, and she gazed at her daughter thoughtfully before nodding to herself.
It would have surprised Nadezhda to know that her mother understood very well what was passing in her mind. Indeed, she had guessed it all long ago, and it made her feel guilty. But as she looked at the girl’s accusing eyes, she could only sigh inwardly and reflect that there were things about her life that she could not explain to Nadezhda. Perhaps when the child was older. Perhaps never. At least, she thought sadly, whatever