Russka - Edward Rutherfurd [487]
Dimitri sat bolt upright, then winced with pain. He saw their two faces turn towards him: his uncle’s irritated, his mother’s distraught. Then Vladimir said, as calmly as though nothing had happened: ‘Ah, my friend. You have woken up. Let’s all have some tea.’ And Dimitri himself could not make out what it was he had just heard.
The next morning, Rosa announced that she must return to Moscow. ‘I’ve been away from your father for too long,’ she told him. ‘I worry about him so.’ And once again her face looked haggard, suggesting she had not slept the night before.
The days that followed might have been sad for Dimitri. Not only did his mother depart, but Nadezhda was summoned back to Moscow by Mrs Suvorin; and since the doctor said he must not be moved, he was left at Russka almost alone. It was Vladimir who now, quietly but firmly, took over his life.
Just two days after Rosa left, his uncle appeared with several books and scores and dumped them on the table beside his bed. ‘You play well, my friend, and you’ve made some pretty compositions in the evenings,’ he announced firmly. ‘Now that you’re confined to bed though, you should make the most of your seclusion. It’s time you began to understand what you’re doing. These are books of musical theory and composition. Study them.’
It was hard work at first, even boring. But each evening his uncle made him go through the exercises: harmonies, counterpoint, the complex business of musical discipline. Though only an amateur, Vladimir’s understanding was considerable and he was a stern taskmaster. ‘Now I know why your factories make a good profit,’ Dimitri once laughed. But the results, he had to confess, were excellent. In just six weeks, with nothing else in the world to do, the thirteen year old made astonishing progress. And he found something else, too: that as his technical understanding increased, he began to have a burning desire, an absolute compulsion, to use this new knowledge he was mastering, and to compose. So that in September, when the doctor finally agreed that he might travel back to Moscow, he remarked to Vladimir: ‘Do you know, I think perhaps I’m really going to be a composer.’
To which his uncle, to the boy’s surprise, simply smiled and replied: ‘Of course you are.’
And it was because of this period of study that Dimitri Suvorin, long after he had become famous, always remarked: ‘It was a fall from a horse that made me.’
The fall from the horse had one other effect. Whether it was the carelessness of the stable boys who carried him back to the house, or the fact that the fracture was multiple, or the poor technique of the factory doctor who set his leg, Dimitri Suvorin’s right leg was twisted out of shape for the rest of his life and he walked with a stick.
1908, September
As well as visiting whenever he could think of an excuse, Alexander Bobrov often walked past the outside of Vladimir Suvorin’s great house in the hope of catching sight of Nadezhda. Despite the embarrassing incident at Easter he had never, for a moment, given up his idea. ‘I shall marry her,’ he told his father bluntly.
Once already, that month, he had found an excuse for going in and had found Mrs Suvorin and her daughter there, and learned that Vladimir would not be back in Moscow until late that month.
This evening, however, it was already late. The curtains and blinds were all closed, and only habit had made him walk by the Suvorin house at all. A light mist had fallen; the street lamps were so many yellowish blurs; few people were about. He would probably not even have glanced at the house if he had not heard a light footfall in that direction, a sound which seemed to end by the front door.
He peered across the street. For a moment he could not see anyone; then, standing by the portico, he made out a muffled figure in a broad-brimmed felt hat. He paused to watch and to his surprise, a moment later, saw the front door open a little and the figure swiftly step inside. But it was just as the door was closing that he