Salvage the Bones - Jesmyn Ward [37]
“You ran slow yesterday.”
I hold the bandage close. Skeetah grabs a rusty safety pin from off the sink and pins it shut.
“Only in the beginning,” I say.
“Why?”
“I don’t know.” The light is creeping into the bathroom like fog.
Skeetah pulls his shirt back over his head, looks down at my body to my chest, my stomach, my feet. What does he know? I shift, barely help myself from folding my arms.
“Maybe you’re gaining weight.”
“You’re saying I’m fat?” I am trying not to cry. I don’t want him to know, but I can’t tell him, because I can’t say it. I haven’t said it to myself yet, out loud. Just chased it around in my head since I saw the lines.
“No,” Skeet says. “Just growing up, maybe.” The light is thick in the bathroom; it suffuses everything after he walks out, the smell of the bay going with him, leaving me and a smell like fried food that makes me turn on the water in the sink and vomit as quietly as I can, my face in the bowl.
I am kneeling on the sink. The bowl is hard metal, and where it meets the plastic of the counter, there is a ridge. It is cutting into my knees. I want to see how big I am, to see if you can tell. This is the only private mirror in the house. A big mirror with a fake gold-worked frame hangs in the living room, but I cannot do it there. I have to see myself as Skeetah, Randall, Junior, Daddy, and Manny do, have to see beyond my hands for eyes, hands that cup my stomach in my sleep so that I wake with them in the top of my shorts.
I tuck the hem of my shirt up through my bra. My breasts are full, turgid and tender the way they get before my period comes on. But I can still keep them smashed down in my bra. There’s the flat Y of my torso leading into my waist. Dark marks over my stomach like small black beans, old chicken-pox scars from when I was little and lay on the sofa, delirious with pain, for three days. Me, Randall, and Skeetah had it at once, and Mama must’ve rubbed us down with chamomile lotion every hour, but it felt like an endless dark day, like the kind they have in Alaska midwinter, between each time she’d lay my head in her lap, lift my shirt, and rub ease and sleep into my skin. I even had small burning bumps on my tongue.
Before I became pregnant, my stomach had been almost flat, the belly button an outie: an eye squeezed shut. The skin dark and spotted darker. I don’t look fat so much, now, just a little past full. The eye is open to a slit. There is a layer of meat around the belly button. I turn to the side, my feet braced on the sink bowl, my toes on the bottom, my butt on my heels, my knees down, and I sit up as straight as I can. There it is. It is not a watermelon curve. It is not that large. It is not a cantaloupe curve; it is not that insistent. The closest I can get to it is a honeydew curve; it is long and slight. I push with my hands, and it will not sink to dense pearls like fat. It pushes back, water flush and warm. I unpin my shirt. We all share clothes, so it’s mostly men’s T-shirts for me, loose jeans and cotton shorts. They cannot tell, but it is there. Perhaps Skeetah saw when I walked from the water and put on my clothes. I do not know, but I will not give him the chance to see again now. I will not let him see until none of us have any choices about what can be seen, what can be avoided, what is blind, and what will turn us to stone.
The piles that Daddy has been building like birds’ nests all over the yard for the hurricane are not growing today. Daddy is secreted like a snake in the dirt under his dump truck, his legs in dark blue pants, the hems tucked into his work boots that used to be brown when Mama bought them for him years ago for Christmas and are now black. Junior is sitting next to Daddy’s feet, digging a cluster of holes in the dirt. He smoothes the dirt away so that there is no evidence of