Salvage the Bones - Jesmyn Ward [97]
“Water,” I say.
“It never came back here.” Daddy breathes. “The damn creek.”
“Daddy,” I say, and I’m surprised at how clear my voice is, how solid, how sure, like a hand that can be held in the dark. “Water’s in the attic.”
The water is faster this time; it wraps liquid fingers around my toes, my ankles, begins creeping up my calves. This is a fast seduction. The wind howls.
“There was a family …,” Randall says.
“We know,” Daddy says. Fourteen of them drowned in Camille. In their attic. The house lifts up off of its bricks again, and rocks.
“We’re not drowning in this fucking attic,” Skeet says, and I hear a banging, again and again. I look up and debris falls in my eyes. He is beating at the inside of the roof. He is making a way.
“Move,” Randall says. “Junior, go by Esch.” And I feel Junior’s little pin fingers on my wrists, and he bangs into something, and he is a monkey on top of the bucket, locked to my lap. “I got it.”
Randall is swinging something in the dark, and when it crashes into the roof, it makes a dent, a chink of light. He bashes the wood, grunts. Whatever he swings is making a hole. He swings it again, and the wood opens to a small hole no bigger than my finger, and I see that he is swinging the chain saw, hitting the roof with the blunt end.
“Any gas”—Randall bashes—“in here?”
“Can’t remember,” Daddy yells. The storm speaks through the hole, funnels wind and rain through. We squint toward it. The water is over my crotch. The house lists.
Randall cranks once, twice. He pulls the cord back a third time and it catches, and the saw buzzes to life. He shoves it through the finger-wide opening, cuts a jagged line, draws it back out, cuts another jagged line, a parenthesis, before it chugs to a stop. He tries to crank it again, but it will not start. He swings it instead, an awkward hammer, and the wood cracks, bends outward. He swings again, and the closed eyelid he drew with the cutting saw, with the blows, flutters, and the roof opens. The storm screams, I have been waiting for you. Light floods the flooded attic, close as a coffin. Randall grabs Junior, who swings around and clings to his back, his small hands tight as clothespins, and Randall climbs out and into the hungry maw of the storm.
It is terrible. It is the flailing wind that lashes like an extension cord used as a beating belt. It is the rain, which stings like stones, which drives into our eyes and bids them shut. It is the water, swirling and gathering and spreading on all sides, brown with an undercurrent of red to it, the clay of the Pit like a cut that won’t stop leaking. It is the remains of the yard, the refrigerators and lawn mowers and the RV and mattresses, floating like a fleet. It is trees and branches breaking, popping like Black Cat firecrackers in an endless crackle of explosions, over and over and again and again. It is us huddling together on the roof, me with the wire of the bucket handle looped over my shoulder, shaking against the plastic. It is everywhere. Daddy kneels behind us, tries to gather all of us to him. Skeetah hugs China, and she howls. Daddy’s truck careens slowly in the yard.
Skeetah is hunched over, picking at his jeans. He takes off his pants, tries to hold them still in front of him; the legs whip in the wind. He shoves China’s back legs into the crotch, and then he flings one pant leg over his shoulder, and the other he tucks under his underarm.
“Tie it!” Skeetah yells.
I tie it in a knot. My fingers are stiff and numb. I pull the wet fabric as hard as I can, test it. China’s head and legs are smashed to his chest, pinned under the fabric. She is his baby in a sling, and she is shaking.
“Look!” Skeet says and points. I follow his finger to the hollow carcass of Mother Lizbeth and Papa Joseph’s house. The top half and the eaves of the house are above water. “It’s on a hill!” Skeetah screams.
“How are we going to get there?” Randall yells.
“The tree!” Skeetah is inching down the roof to a spreading oak tree that touches our house