Sanatorium under the sign of the hourglass - Bruno Schulz [61]
It was completely dark among the trees of the parkland. I groped my way blindly on a carpet of soft needles. When the trees thinned, the planks of a footbridge resounded under my feet. Beyond it, against the blackness of the trees, loomed the gray walls of the many-windowed hotel that advertised itself as the Sanatorium. The double glass door of the entrance stood open. The little footbridge, with shaky handrails made of birch branches, led straight to it.
In the hallway there was semidarkness and a solemn silence. I moved on tiptoe from door to door, trying to see the numbers on them. Rounding a corner, I at last met a chambermaid. She had run out of a room, as if having torn herself from someone's importuning arms, and was breathless and excited. She could hardly understand what I was saying. I had to repeat it. She was fidgeting helplessly.
Had my telegram reached them? She spread her arms, her eyes moved sideways. She was only awaiting an opportunity to leap back behind the half-opened door, at which she kept squinting.
"I have come a long way. I booked a room here by telegram," I said with some impatience. "Whom shall I see about it?"
She did not know. "Perhaps you could wait in the restaurant," she babbled. "Everybody is asleep just now. When the doctor gets up, I shall announce you."
"They are asleep? But it is daytime, not night."
"Here everybody is asleep all the time. Didn't you know?" she said, looking at me with interest now. "Besides, it is never night here," she added coyly.
She had obviously given up the idea of escape, for she was now picking fussily at the lace of her apron. I left her there and entered the half-lighted restaurant. There were some tables, and a large buffet ran the length of one wall. I was now feeling a little hungry and was pleased to see some pastries and a cake on the buffet.
I placed my suitcase on one of the tables. They were all unoccupied. I clapped my hands. No response. I looked into the next room, which was larger and brighter. That room had a wide window or loggia overlooking the landscape I already knew, which, framed by the window, seemed like a constant reminder of mourning, suggestive of deep sorrow and resignation. On some of the tables stood the remains of recent meals, uncorked bottles, half-empty glasses. Here and there lay the tips, not yet picked up by the waiters. I returned to the buffet and looked at the pastries and cake. They looked most appetizing. I wondered whether I should help myself; I suddenly felt extremely greedy. There was a particular kind of apple flan that made my mouth water. I was about to lift a piece of it with