Sarrasine [2]
of your fortune, you are classed among those figures which equal yours, and no one asks to see your credentials, because everybody knows how little they cost. In a city where social problems are solved by algebraic equations, adventurers have many chances in their favor. Even if this family were of gypsy extraction, it was so wealthy, so attractive, that fashionable society could well afford to overlook its little mysteries. But, unfortunately, the enigmatical history of the Lanty family offered a perpetual subject of curiosity, not unlike that aroused by the novels of Anne Radcliffe.
People of an observing turn, of the sort who are bent upon finding out where you buy your candelabra, or who ask you what rent you pay when they are pleased with your apartments, had noticed, from time to time, the appearance of an extraordinary personage at the fetes, concerts, balls, and routs given by the countess. It was a man. The first time that he was seen in the house was at a concert, when he seemed to have been drawn to the salon by Marianina's enchanting voice.
"I have been cold for the last minute or two," said a lady near the door to her neighbor.
The stranger, who was standing near the speaker, moved away.
"This is very strange! now I am warm," she said, after his departure. "Perhaps you will call me mad, but I cannot help thinking that my neighbor, the gentleman in black who just walked away, was the cause of my feeling cold."
Ere long the exaggeration to which people in society are naturally inclined, produced a large and growing crop of the most amusing ideas, the most curious expressions, the most absurd fables concerning this mysterious individual. Without being precisely a vampire, a ghoul, a fictitious man, a sort of Faust or Robin des Bois, he partook of the nature of all these anthropomorphic conceptions, according to those persons who were addicted to the fantastic. Occasionally some German would take for realities these ingenious jests of Parisian evil- speaking. The stranger was simply /an old man/. Some young men, who were accustomed to decide the future of Europe every morning in a few fashionable phrases, chose to see in the stranger some great criminal, the possessor of enormous wealth. Novelists described the old man's life and gave some really interesting details of the atrocities committed by him while he was in the service of the Prince of Mysore. Bankers, men of a more positive nature, devised a specious fable.
"Bah!" they would say, shrugging their broad shoulders pityingly, "that little old fellow's a /Genoese head/!"
"If it is not an impertinent question, monsieur, would you have the kindness to tell me what you mean by a Genoese head?"
"I mean, monsieur, that he is a man upon whose life enormous sums depend, and whose good health is undoubtedly essential to the continuance of this family's income. I remember that I once heard a mesmerist, at Madame d'Espard's, undertake to prove by very specious historical deductions, that this old man, if put under the magnifying glass, would turn out to be the famous Balsamo, otherwise called Cagliostro. According to this modern alchemist, the Sicilian had escaped death, and amused himself making gold for his grandchildren. And the Bailli of Ferette declared that he recognized in this extraordinary personage the Comte de Saint-Germain."
Such nonsense as this, put forth with the assumption of superior cleverness, with the air of raillery, which in our day characterize a society devoid of faith, kept alive vague suspicions concerning the Lanty family. At last, by a strange combination of circumstances, the members of that family justified the conjectures of society by adopting a decidedly mysterious course of conduct with this old man, whose life was, in a certain sense, kept hidden from all investigations.
If he crossed the threshold of the apartment he was supposed to occupy in the Lanty mansion, his appearance always caused a great sensation in the family. One would have supposed that it was an event of the greatest importance. Only Filippo,
People of an observing turn, of the sort who are bent upon finding out where you buy your candelabra, or who ask you what rent you pay when they are pleased with your apartments, had noticed, from time to time, the appearance of an extraordinary personage at the fetes, concerts, balls, and routs given by the countess. It was a man. The first time that he was seen in the house was at a concert, when he seemed to have been drawn to the salon by Marianina's enchanting voice.
"I have been cold for the last minute or two," said a lady near the door to her neighbor.
The stranger, who was standing near the speaker, moved away.
"This is very strange! now I am warm," she said, after his departure. "Perhaps you will call me mad, but I cannot help thinking that my neighbor, the gentleman in black who just walked away, was the cause of my feeling cold."
Ere long the exaggeration to which people in society are naturally inclined, produced a large and growing crop of the most amusing ideas, the most curious expressions, the most absurd fables concerning this mysterious individual. Without being precisely a vampire, a ghoul, a fictitious man, a sort of Faust or Robin des Bois, he partook of the nature of all these anthropomorphic conceptions, according to those persons who were addicted to the fantastic. Occasionally some German would take for realities these ingenious jests of Parisian evil- speaking. The stranger was simply /an old man/. Some young men, who were accustomed to decide the future of Europe every morning in a few fashionable phrases, chose to see in the stranger some great criminal, the possessor of enormous wealth. Novelists described the old man's life and gave some really interesting details of the atrocities committed by him while he was in the service of the Prince of Mysore. Bankers, men of a more positive nature, devised a specious fable.
"Bah!" they would say, shrugging their broad shoulders pityingly, "that little old fellow's a /Genoese head/!"
"If it is not an impertinent question, monsieur, would you have the kindness to tell me what you mean by a Genoese head?"
"I mean, monsieur, that he is a man upon whose life enormous sums depend, and whose good health is undoubtedly essential to the continuance of this family's income. I remember that I once heard a mesmerist, at Madame d'Espard's, undertake to prove by very specious historical deductions, that this old man, if put under the magnifying glass, would turn out to be the famous Balsamo, otherwise called Cagliostro. According to this modern alchemist, the Sicilian had escaped death, and amused himself making gold for his grandchildren. And the Bailli of Ferette declared that he recognized in this extraordinary personage the Comte de Saint-Germain."
Such nonsense as this, put forth with the assumption of superior cleverness, with the air of raillery, which in our day characterize a society devoid of faith, kept alive vague suspicions concerning the Lanty family. At last, by a strange combination of circumstances, the members of that family justified the conjectures of society by adopting a decidedly mysterious course of conduct with this old man, whose life was, in a certain sense, kept hidden from all investigations.
If he crossed the threshold of the apartment he was supposed to occupy in the Lanty mansion, his appearance always caused a great sensation in the family. One would have supposed that it was an event of the greatest importance. Only Filippo,