Satori - Don Winslow [128]
So best to approach him, shall we say, carefully?
At an outdoor kitchen, he swiped a warm piece of charcoal and put it in his pocket. Now, crouched beside the wall of Bay Vien’s villa, he took out the charcoal, used it to blacken his face and hands, then tossed it into the bushes.
A double strand of barbed wire fringed the eight-foot-high wall, and shards of glass — mostly from Coca-Cola bottles, Nicholai noticed — had been mortared into the top of the stone. A bulky watchtower stood to the side of the iron gate that guarded the main entrance, and searchlights swung back and forth like a prison yard.
There is no choice, Nicholai thought, but to go over the wall.
It was a shame to sacrifice the tailored jacket, but Nicholai shucked it off, waiting for the searchlight to complete its arc, and then tossed it onto the wire. Then he jumped, grabbed on to the jacket, which the barbs now held in place, and swung himself onto the top. He lay there, balanced precariously, until the spotlight finished its next swoop, and then he dropped.
Something moved beneath him.
Nicholai suppressed a shout as the boa constrictor slithered out from under him, its powerful muscles rippling against his ribs. The snake was a good thirteen feet long, shiny in the moonlight. It turned its head, regarded Nicholai for a moment, and then flicked its tongue out to determine if this creature might make a meal.
“No,” Nicholai murmured.
The snake moved off, far more slowly than Nicholai would have preferred. A sensei would have called the snake an omen, a Chinese sifu would have told him to emulate the snake — one of the five model animals of Shaolin kung-fu.
So Nicholai became serpentine as he slithered across the clipped, manicured lawn, the grass, wet with evening dew, soaking his shirt. He kept low to the ground, freezing and pressing his face into the grass when the spotlight swung his way.
Then he saw the tiger.
It was in a cage, perhaps fifty feet off to his left.
It growled a deep, threatening growl, and Nicholai felt a rush of primal fear — an atavistic relic, he thought, from our species’ days in the trees. The tiger’s eyes were beautiful to behold, enchanting in the true sense of the word, and Nicholai felt himself being pulled into the creature’s orbit.
Is that how it happens? he asked himself. Just before your death, are you frozen to the sacrificial altar by sheer awe? Do you realize the magnificence of the world just before you leave it?
He met the tiger’s glare.
Two predators, he thought, who meet in the night.
Then he recalled the old Chinese adage: When tigers fight, one is killed, and the other is mortally wounded.
Good to keep in mind.
Nodding to the caged tiger, Nicholai resumed his slow crawl.
He stopped a hundred feet from the house and observed the guards patrolling the perimeter. There were four of them, walking interlocking routes around the house. Armed with American rifles, they stepped softly and didn’t speak as they passed each other. Just a brief nod to indicate that everything was in order.
The good thing about guards, Nicholai thought, is that they point you toward your target. Each one of them straightened slightly and held his rifle at the ready when he passed outside a certain window on the villa’s second floor. A light shone through the curtain. The window itself was open, although barred with an iron grille.
Bay Vien was home, in his bedroom.
With infinite patience — and gratitude toward his Japanese masters who had taught him that virtue — Nicholai made a slow, crawling circle around the entire villa, searching for a weakness.
He found it in the back, by the kitchen.
A white-jacketed cook sat on a stool outside the open door. Head down, elbows on his thighs, he smoked a cigarette.
Crawling a bit closer, Nicholai could smell the distinct odor of nuoc mom, the Vietnamese fish soup that was a staple of the peasant diet. Nicholai put all his concentration into his sense of hearing and listened. The cook was having a desultory conversation with someone inside.