Scenes from a Courtesan's Life [168]
tells you, it is of no use to make your eyes like boiled gooseberries," cried the dreadful Asie, shaking the Countess by the arm. "If you want to save him, there is not a minute to lose. He is innocent--I swear it by my mother's bones!"
"Yes, yes, of course he is!" cried the Countess, looking quite kindly at the dreadful old woman.
"But," Asie went on, "if Monsieur Camusot questions him the wrong way, he can make a guilty man of him with two sentences; so, if it is in your power to get the Conciergerie opened to you, and to say a few words to him, go at once, and give him this paper.--He will be released to-morrow; I will answer for it. Now, get him out of the scrape, for you got him into it."
"I?"
"Yes, you!--You fine ladies never have a son even when you own millions. When I allowed myself the luxury of keeping boys, they always had their pockets full of gold! Their amusements amused me. It is delightful to be mother and mistress in one. Now, you--you let the men you love die of hunger without asking any questions. Esther, now, made no speeches; she gave, at the cost of perdition, soul and body, the million your Lucien was required to show, and that is what has brought him to this pass----"
"Poor girl! Did she do that! I love her!" said Leontine.
"Yes--now!" said Asie, with freezing irony.
"She was a real beauty; but now, my angel, you are better looking than she is.--And Lucien's marriage is so effectually broken off, that nothing can mend it," said the Duchess in a whisper to Leontine.
The effect of this revelation and forecast was so great on the Countess that she was well again. She passed her hand over her brow; she was young once more.
"Now, my lady, hot foot, and make haste!" said Asie, seeing the change, and guessing what had caused it.
"But," said Madame de Maufrigneuse, "if the first thing is to prevent Lucien's being examined by Monsieur Camusot, we can do that by writing two words to the judge and sending your man with it to the Palais, Leontine."
"Then come into my room," said Madame de Serizy.
This is what was taking place at the Palais while Lucien's protectresses were obeying the orders issued by Jacques Collin. The gendarmes placed the moribund prisoner on a chair facing the window in Monsieur Camusot's room; he was sitting in his place in front of his table. Coquart, pen in hand, had a little table to himself a few yards off.
The aspect of a magistrate's chambers is not a matter of indifference; and if this room had not been chosen intentionally, it must be owned that chance had favored justice. An examining judge, like a painter, requires the clear equable light of a north window, for the criminal's face is a picture which he must constantly study. Hence most magistrates place their table, as this of Camusot's was arranged, so as to sit with their back to the window and leave the face of the examinee in broad daylight. Not one of them all but, by the end of six months, has assumed an absent-minded and indifferent expression, if he does not wear spectacles, and maintains it throughout the examination.
It was a sudden change of expression in the prisoner's face, detected by these means, and caused by a sudden point-blank question, that led to the discovery of the crime committed by Castaing at the very moment when, after a long consultation with the public prosecutor, the magistrate was about to let the criminal loose on society for lack of evidence. This detail will show the least intelligent person how living, interesting, curious, and dramatically terrible is the conflict of an examination--a conflict without witnesses, but always recorded. God knows what remains on the paper of the scenes at white heat in which a look, a tone, a quiver of the features, the faintest touch of color lent by some emotion, has been fraught with danger, as though the adversaries were savages watching each other to plant a fatal stroke. A report is no more than the ashes of the fire.
"What is your real name?" Camusot asked Jacques Collin.
"Don Carlos Herrera, canon of the
"Yes, yes, of course he is!" cried the Countess, looking quite kindly at the dreadful old woman.
"But," Asie went on, "if Monsieur Camusot questions him the wrong way, he can make a guilty man of him with two sentences; so, if it is in your power to get the Conciergerie opened to you, and to say a few words to him, go at once, and give him this paper.--He will be released to-morrow; I will answer for it. Now, get him out of the scrape, for you got him into it."
"I?"
"Yes, you!--You fine ladies never have a son even when you own millions. When I allowed myself the luxury of keeping boys, they always had their pockets full of gold! Their amusements amused me. It is delightful to be mother and mistress in one. Now, you--you let the men you love die of hunger without asking any questions. Esther, now, made no speeches; she gave, at the cost of perdition, soul and body, the million your Lucien was required to show, and that is what has brought him to this pass----"
"Poor girl! Did she do that! I love her!" said Leontine.
"Yes--now!" said Asie, with freezing irony.
"She was a real beauty; but now, my angel, you are better looking than she is.--And Lucien's marriage is so effectually broken off, that nothing can mend it," said the Duchess in a whisper to Leontine.
The effect of this revelation and forecast was so great on the Countess that she was well again. She passed her hand over her brow; she was young once more.
"Now, my lady, hot foot, and make haste!" said Asie, seeing the change, and guessing what had caused it.
"But," said Madame de Maufrigneuse, "if the first thing is to prevent Lucien's being examined by Monsieur Camusot, we can do that by writing two words to the judge and sending your man with it to the Palais, Leontine."
"Then come into my room," said Madame de Serizy.
This is what was taking place at the Palais while Lucien's protectresses were obeying the orders issued by Jacques Collin. The gendarmes placed the moribund prisoner on a chair facing the window in Monsieur Camusot's room; he was sitting in his place in front of his table. Coquart, pen in hand, had a little table to himself a few yards off.
The aspect of a magistrate's chambers is not a matter of indifference; and if this room had not been chosen intentionally, it must be owned that chance had favored justice. An examining judge, like a painter, requires the clear equable light of a north window, for the criminal's face is a picture which he must constantly study. Hence most magistrates place their table, as this of Camusot's was arranged, so as to sit with their back to the window and leave the face of the examinee in broad daylight. Not one of them all but, by the end of six months, has assumed an absent-minded and indifferent expression, if he does not wear spectacles, and maintains it throughout the examination.
It was a sudden change of expression in the prisoner's face, detected by these means, and caused by a sudden point-blank question, that led to the discovery of the crime committed by Castaing at the very moment when, after a long consultation with the public prosecutor, the magistrate was about to let the criminal loose on society for lack of evidence. This detail will show the least intelligent person how living, interesting, curious, and dramatically terrible is the conflict of an examination--a conflict without witnesses, but always recorded. God knows what remains on the paper of the scenes at white heat in which a look, a tone, a quiver of the features, the faintest touch of color lent by some emotion, has been fraught with danger, as though the adversaries were savages watching each other to plant a fatal stroke. A report is no more than the ashes of the fire.
"What is your real name?" Camusot asked Jacques Collin.
"Don Carlos Herrera, canon of the