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Scenes from a Courtesan's Life [200]

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tie a tin kettle to a cat's tail; the inquiry, whoever carries it on, will make Jacques Collin's tin kettle clank."

"Bravo!" said Amelie.

"And the public prosecutor would rather come to an understanding with me than with any one else, since I am the only man who can remove the Damocles' sword that hangs over the heart of the Faubourg Saint- Germain.

"Only you have no idea how hard it will be to achieve that magnificent result. Just now, when I was with Monsieur de Granville in his private office, we agreed, he and I, to take Jacques Collin at his own valuation--a canon of the Chapter of Toledo, Carlos Herrera. We consented to recognize his position as a diplomatic envoy, and allow him to be claimed by the Spanish Embassy. It was in consequence of this plan that I made out the papers by which Lucien de Rubempre was released, and revised the minutes of the examinations, washing the prisoners as white as snow.

"To-morrow, Rastignac, Bianchon, and some others are to be confronted with the self-styled Canon of Toledo; they will not recognize him as Jacques Collin who was arrested in their presence ten years ago in a cheap boarding-house, where they knew him under the name of Vautrin."

There was a short silence, while Madame Camusot sat thinking.

"Are you sure your man is Jacques Collin?" she asked.

"Positive," said the lawyer, "and so is the public prosecutor."

"Well, then, try to make some exposure at the Palais de Justice without showing your claws too much under your furred cat's paws. If your man is still in the secret cells, go straight to the Governor of the Conciergerie and contrive to have the convict publicly identified. Instead of behaving like a child, act like the ministers of police under despotic governments, who invent conspiracies against the monarch to have the credit of discovering them and making themselves indispensable. Put three families in danger to have the glory of rescuing them."

"That luckily reminds me!" cried Camusot. "My brain is so bewildered that I had quite forgotten an important point. The instructions to place Jacques Collin in a private room were taken by Coquart to Monsieur Gault, the Governor of the prison. Now, Bibi-Lupin, Jacques Collin's great enemy, has taken steps to have three criminals, who know the man, transferred from La Force to the Conciergerie; if he appears in the prison-yard to-morrow, a terrific scene is expected----"

"Why?"

"Jacques Collin, my dear, was treasurer of the money owned by the prisoners in the hulks, amounting to considerable sums; now, he is supposed to have spent it all to maintain the deceased Lucien in luxury, and he will be called to account. There will be such a battle, Bibi-Lupin tells me, as will require the intervention of the warders, and the secret will be out. Jacques Collin's life is in danger.

"Now, if I get to the Palais early enough I may record the evidence of identity."

"Oh, if only his creditors should take him off your hands! You would be thought such a clever fellow!--Do not go to Monsieur de Granville's room; wait for him in his Court with that formidable great gun. It is a loaded cannon turned on the three most important families of the Court and Peerage. Be bold: propose to Monsieur de Granville that he should relieve you of Jacques Collin by transferring him to La Force, where the convicts know how to deal with those who betray them.

"I will go to the Duchesse de Maufrigneuse, who will take me to the Grandlieus. Possibly I may see Monsieur de Serizy. Trust me to sound the alarm everywhere. Above all, send me a word we will agree upon to let me know if the Spanish priest is officially recognized as Jacques Collin. Get your business at the Palais over by two o'clock, and I will have arranged for you to have an interview with the Keeper of the Seals; perhaps I may find him with the Marquise d'Espard."

Camusot stood squarely with a look of admiration that made his knowing wife smile.



"Now, come to dinner and be cheerful," said she in conclusion. "Why, you see! We have been only two years
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