Scenes from a Courtesan's Life [50]
Mahon, one of the greatest feats of arms of the eighteenth century, the King said to him, "Have you heard the great news? Poor Lansmatt is dead."--Lansmatt was a gatekeeper in the secret of the King's intrigues.
The bankers of Paris never knew how much they owed to Contenson. That spy was the cause of Nucingen's allowing an immense loan to be issued in which his share was allotted to him, and which he gave over to them. The stock-jobber could aim at a fortune any day with the artillery of speculation, but the man was a slave to the hope of happiness.
The great banker drank some tea, and was nibbling at a slice of bread and butter, as a man does whose teeth have for long been sharpened by appetite, when he heard a carriage stop at the little garden gate. In a few minutes his secretary brought in Contenson, whom he had run to earth in a cafe not far from Sainte-Pelagie, where the man was breakfasting on the strength of a bribe given to him by an imprisoned debtor for certain allowances that must be paid for.
Contenson, you must know, was a whole poem--a Paris poem. Merely to see him would have been enough to tell you that Beaumarchais' Figaro, Moliere's Mascarille, Marivaux's Frontin, and Dancourt's Lafleur-- those great representatives of audacious swindling, of cunning driven to bay, of stratagem rising again from the ends of its broken wires-- were all quite second-rate by comparison with this giant of cleverness and meanness. When in Paris you find a real type, he is no longer a man, he is a spectacle; no longer a factor in life, but a whole life, many lives.
Bake a plaster cast four times in a furnace, and you get a sort of bastard imitation of Florentine bronze. Well, the thunderbolts of numberless disasters, the pressure of terrible necessities, had bronzed Contenson's head, as though sweating in an oven had three times over stained his skin. Closely-set wrinkles that could no longer be relaxed made eternal furrows, whiter in their cracks. The yellow face was all wrinkles. The bald skull, resembling Voltaire's, was as parched as a death's-head, and but for a few hairs at the back it would have seemed doubtful whether it was that of a living man. Under a rigid brow, a pair of Chinese eyes, like those of an image under a glass shade in a tea-shop--artificial eyes, which sham life but never vary--moved but expressed nothing. The nose, as flat as that of a skull, sniffed at fate; and the mouth, as thin-lipped as a miser's, was always open, but as expressionless as the grin of a letterbox.
Contenson, as apathetic as a savage, with sunburned hands, affected that Diogenes-like indifference which can never bend to any formality of respect.
And what a commentary on his life was written on his dress for any one who can decipher a dress! Above all, what trousers! made, by long wear, as black and shiny as the camlet of which lawyers' gowns are made! A waistcoat, bought in an old clothes shop in the Temple, with a deep embroidered collar! A rusty black coat!--and everything well brushed, clean after a fashion, and graced by a watch and an imitation gold chain. Contenson allowed a triangle of shirt to show, with pleats in which glittered a sham diamond pin; his black velvet stock set stiff like a gorget, over which lay rolls of flesh as red as that of a Caribbee. His silk hat was as glossy as satin, but the lining would have yielded grease enough for two street lamps if some grocer had bought it to boil down.
But to enumerate these accessories is nothing; if only I could give an idea of the air of immense importance that Contenson contrived to impart to them! There was something indescribably knowing in the collar of his coat, and the fresh blacking on a pair of boots with gaping soles, to which no language can do justice. However, to give some notion of this medley of effect, it may be added that any man of intelligence would have felt, only on seeing Contenson, that if instead of being a spy he had been a thief, all these odds and ends, instead of raising a smile, would have made one shudder with horror. Judging
The bankers of Paris never knew how much they owed to Contenson. That spy was the cause of Nucingen's allowing an immense loan to be issued in which his share was allotted to him, and which he gave over to them. The stock-jobber could aim at a fortune any day with the artillery of speculation, but the man was a slave to the hope of happiness.
The great banker drank some tea, and was nibbling at a slice of bread and butter, as a man does whose teeth have for long been sharpened by appetite, when he heard a carriage stop at the little garden gate. In a few minutes his secretary brought in Contenson, whom he had run to earth in a cafe not far from Sainte-Pelagie, where the man was breakfasting on the strength of a bribe given to him by an imprisoned debtor for certain allowances that must be paid for.
Contenson, you must know, was a whole poem--a Paris poem. Merely to see him would have been enough to tell you that Beaumarchais' Figaro, Moliere's Mascarille, Marivaux's Frontin, and Dancourt's Lafleur-- those great representatives of audacious swindling, of cunning driven to bay, of stratagem rising again from the ends of its broken wires-- were all quite second-rate by comparison with this giant of cleverness and meanness. When in Paris you find a real type, he is no longer a man, he is a spectacle; no longer a factor in life, but a whole life, many lives.
Bake a plaster cast four times in a furnace, and you get a sort of bastard imitation of Florentine bronze. Well, the thunderbolts of numberless disasters, the pressure of terrible necessities, had bronzed Contenson's head, as though sweating in an oven had three times over stained his skin. Closely-set wrinkles that could no longer be relaxed made eternal furrows, whiter in their cracks. The yellow face was all wrinkles. The bald skull, resembling Voltaire's, was as parched as a death's-head, and but for a few hairs at the back it would have seemed doubtful whether it was that of a living man. Under a rigid brow, a pair of Chinese eyes, like those of an image under a glass shade in a tea-shop--artificial eyes, which sham life but never vary--moved but expressed nothing. The nose, as flat as that of a skull, sniffed at fate; and the mouth, as thin-lipped as a miser's, was always open, but as expressionless as the grin of a letterbox.
Contenson, as apathetic as a savage, with sunburned hands, affected that Diogenes-like indifference which can never bend to any formality of respect.
And what a commentary on his life was written on his dress for any one who can decipher a dress! Above all, what trousers! made, by long wear, as black and shiny as the camlet of which lawyers' gowns are made! A waistcoat, bought in an old clothes shop in the Temple, with a deep embroidered collar! A rusty black coat!--and everything well brushed, clean after a fashion, and graced by a watch and an imitation gold chain. Contenson allowed a triangle of shirt to show, with pleats in which glittered a sham diamond pin; his black velvet stock set stiff like a gorget, over which lay rolls of flesh as red as that of a Caribbee. His silk hat was as glossy as satin, but the lining would have yielded grease enough for two street lamps if some grocer had bought it to boil down.
But to enumerate these accessories is nothing; if only I could give an idea of the air of immense importance that Contenson contrived to impart to them! There was something indescribably knowing in the collar of his coat, and the fresh blacking on a pair of boots with gaping soles, to which no language can do justice. However, to give some notion of this medley of effect, it may be added that any man of intelligence would have felt, only on seeing Contenson, that if instead of being a spy he had been a thief, all these odds and ends, instead of raising a smile, would have made one shudder with horror. Judging